Update documentation for Scarlett 4th Gen and Vocaster
30
FAQ.md
@@ -4,11 +4,11 @@
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The Scarlett2 Protocol Driver (also known as the Scarlett2 Mixer
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The Scarlett2 Protocol Driver (also known as the Scarlett2 Mixer
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Driver) is a part of the Linux kernel, enhancing the ALSA kernel
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Driver) is a part of the Linux kernel, enhancing the ALSA kernel
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driver with additional controls for Focusrite Scarlett and Clarett
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driver with additional controls for Focusrite Scarlett, Clarett, and
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interfaces.
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Vocaster interfaces.
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||||||
To check your current version or for upgrade instructions, see the
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To check if your kernel is already up-to-date, and how to upgrade if
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[Control Panel Installation Prerequisites — Linux
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not, see the [Control Panel Installation Prerequisites — Linux
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||||||
Kernel](https://github.com/geoffreybennett/alsa-scarlett-gui/blob/master/INSTALL.md).
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Kernel](https://github.com/geoffreybennett/alsa-scarlett-gui/blob/master/INSTALL.md).
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`alsa-scarlett-gui` is an easy-to-use application to adjust those
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`alsa-scarlett-gui` is an easy-to-use application to adjust those
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@@ -19,7 +19,7 @@ controls.
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In order to get audio working? No. Focusrite USB interfaces are
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In order to get audio working? No. Focusrite USB interfaces are
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“plug-and-play” — they are USB Audio Class Compliant, meaning they
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“plug-and-play” — they are USB Audio Class Compliant, meaning they
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work out-of-the-box with the standard ALSA USB audio driver (to get
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work out-of-the-box with the standard ALSA USB audio driver (to get
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full functionality on Scarlett 3rd/4th Gen interfaces, first
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full functionality on Scarlett 3rd/4th Gen/Vocaster interfaces, first
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deactivate MSD mode by holding down the 48V button while powering it
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deactivate MSD mode by holding down the 48V button while powering it
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on).
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on).
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@@ -31,22 +31,22 @@ on).
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If MSD Mode is enabled, you need to disable it and restart your
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If MSD Mode is enabled, you need to disable it and restart your
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interface to get access to its full functionality.
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interface to get access to its full functionality.
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When you plug the interface in, there'll be a tiny read-only virtual
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When you plug the interface in, there’ll be a tiny read-only virtual
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disk that has a link to the Focusrite product registration page; until
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disk that has a link to the Focusrite product registration page; until
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you turn off MSD Mode not all features of the interface will be
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you turn off MSD Mode not all features of the interface will be
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available.
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available.
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You can turn off MSD Mode by holding down the 48V button while
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You can turn off MSD Mode by holding down the 48V button while
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powering on the interface, or by clicking the button in
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powering on the interface, or by clicking the button in
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`alsa-scarlett-gui`.
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`alsa-scarlett-gui` and rebooting it.
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## What is the purpose of the driver if it's not needed for audio?
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## What is the purpose of the driver if it’s not needed for audio?
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This driver is for users who want more control over their interface.
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This driver is for users who want more control over their interface.
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It allows for detailed manipulation of internal audio routing and
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It allows for detailed manipulation of internal audio routing and
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settings specific to Scarlett and Clarett devices, beyond the basic
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settings specific to Scarlett, Clarett, and Vocaster devices, beyond
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audio I/O functionality. Also, being able to monitor the audio levels
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the basic audio I/O functionality. Also, being able to monitor the
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seen by the interface is really useful.
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audio levels seen by the interface is really useful.
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## What interfaces are supported?
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## What interfaces are supported?
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@@ -56,8 +56,12 @@ seen by the interface is really useful.
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- All Scarlett 3rd Gen interfaces.
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- All Scarlett 3rd Gen interfaces.
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- Scarlett 4th Gen Solo, 2i2, and 4i4.
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- All Clarett USB and Clarett+ interfaces.
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- All Clarett USB and Clarett+ interfaces.
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- Vocaster One and Vocaster Two.
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## Where are the options to set the sample rate and buffer size?
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## Where are the options to set the sample rate and buffer size?
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It’s important to note that the Scarlett2 driver and
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It’s important to note that the Scarlett2 driver and
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@@ -72,10 +76,6 @@ sound server such as PulseAudio, JACK, or PipeWire.
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Note that not all features are available at higher sample rates; refer
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Note that not all features are available at higher sample rates; refer
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to the user manual of your interface for more information.
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to the user manual of your interface for more information.
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## Scarlett Gen 4? Vocaster?
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Support coming soon. Email me if you want to help test.
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## Help?!
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## Help?!
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For help with the driver:
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For help with the driver:
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184
INSTALL.md
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# ALSA Scarlett2 Control Panel Installation
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## Prerequisites
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### Linux Kernel
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You need to be running a Linux Kernel that has the ALSA Scarlett2
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Protocol Driver. Use `uname -r` to check what kernel version you are
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running.
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- Use at least version 5.14 for Scarlett Gen 3 support and bug fixes
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for the Gen 2 support.
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- For Clarett+ 8Pre support, you need 6.1.
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- For the other Clarett USB and Clarett+ models, you need 6.7.
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- For the level meters to work, you need 6.7.
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If you don't have 6.7, you can get the driver from here and build it
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for your current kernel:
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https://github.com/geoffreybennett/scarlett-gen2/releases/tag/v6.5.11c1
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### Gtk4
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You need a Linux distribution with Gtk4 development libraries. If it
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doesn't have them natively, try the Flatpak instructions below.
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## Enabling the Driver
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As of Linux 6.7 the driver is enabled by default and you can skip this
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section.
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If you're running a kernel before 6.7, the driver needs to be enabled
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at module load time with the `device_setup=1` option to
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insmod/modprobe. Create a file /etc/modprobe.d/scarlett.conf
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containing the appropriate line for your device:
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Scarlett Gen 2:
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- 6i6: `options snd_usb_audio vid=0x1235 pid=0x8203 device_setup=1`
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- 18i8: `options snd_usb_audio vid=0x1235 pid=0x8204 device_setup=1`
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- 18i20: `options snd_usb_audio vid=0x1235 pid=0x8201 device_setup=1`
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Scarlett Gen 3:
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- Solo: `options snd_usb_audio vid=0x1235 pid=0x8211 device_setup=1`
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- 2i2: `options snd_usb_audio vid=0x1235 pid=0x8210 device_setup=1`
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- 4i4: `options snd_usb_audio vid=0x1235 pid=0x8212 device_setup=1`
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- 8i6: `options snd_usb_audio vid=0x1235 pid=0x8213 device_setup=1`
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- 18i8: `options snd_usb_audio vid=0x1235 pid=0x8214 device_setup=1`
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- 18i20: `options snd_usb_audio vid=0x1235 pid=0x8215 device_setup=1`
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Clarett+:
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- 8Pre: `options snd_usb_audio vid=0x1235 pid=0x820c device_setup=1`
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Or you can use a sledgehammer:
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```
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options snd_usb_audio device_setup=1,1,1,1
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```
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to pass that option to the first 4 USB audio devices.
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To see if the driver is present and enabled: `dmesg | grep -i -A 5 -B
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5 focusrite` should display information like:
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```
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New USB device found, idVendor=1235, idProduct=8215, bcdDevice= 6.0b
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Product: Scarlett 18i20 USB
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Focusrite Scarlett Gen 2/3 Mixer Driver enabled pid=0x8215
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```
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If the driver is disabled you’ll see a message like:
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```
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Focusrite Scarlett Gen 2/3 Mixer Driver disabled; use options
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snd_usb_audio vid=0x1235 pid=0x8215 device_setup=1 to enable and
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report any issues to g@b4.vu
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```
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### Firmware
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As of Linux 6.8, firmware updates of all the supported interfaces can
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be done through Linux. This is mandatory for Scarlett 4th Gen and
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Vocaster interfaces (unless you've already updated it using the
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manufacturer's software), and optional for Scarlett 2nd and 3rd Gen,
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Clarett USB, and Clarett+ interfaces.
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Download the firmware from
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https://github.com/geoffreybennett/scarlett2-firmware and place in
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`/usr/lib/firmware/scarlett2` or use the RPM/deb package.
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## Building and Running
|
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On Fedora, these packages need to be installed:
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```
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sudo dnf -y install alsa-lib-devel gtk4-devel openssl-devel
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```
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On OpenSUSE:
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```
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sudo zypper in git alsa-devel gtk4-devel libopenssl-devel
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```
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On Ubuntu:
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```
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sudo apt -y install git make gcc libgtk-4-dev libasound2-dev libssl-dev
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```
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To download from github:
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```
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git clone https://github.com/geoffreybennett/alsa-scarlett-gui
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cd alsa-scarlett-gui
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```
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To build:
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```
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cd src
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make -j4
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```
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To run:
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```
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./alsa-scarlett-gui
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```
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You can install it into `/usr/local` (binary, desktop file, and icon)
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with:
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|
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```
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sudo make install
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```
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And uninstall with:
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```
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sudo make uninstall
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```
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|
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Continue on to reading [USAGE.md](USAGE.md) for usage information and
|
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||||||
known issues.
|
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||||||
|
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||||||
## Flatpak
|
|
||||||
|
|
||||||
With Flatpak, in any distro:
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||||||
|
|
||||||
```
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||||||
flatpak-builder --user --install --force-clean flatpak-build \
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vu.b4.alsa-scarlett-gui.yml
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|
||||||
```
|
|
||||||
|
|
||||||
Be sure to use `flatpak-build` as the directory where the flatpak is
|
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||||||
built or hence you risk bundling the artifacts when committing!
|
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||||||
|
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||||||
If you get messages like these:
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||||||
|
|
||||||
```
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Failed to init: Unable to find sdk org.gnome.Sdk version 45
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||||||
Failed to init: Unable to find runtime org.gnome.Platform version 45
|
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||||||
```
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||||||
|
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||||||
Then install them:
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||||||
|
|
||||||
```
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||||||
flatpak install org.gnome.Sdk
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|
||||||
flatpak install org.gnome.Platform
|
|
||||||
```
|
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||||||
|
|
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If you get:
|
|
||||||
|
|
||||||
```
|
|
||||||
Looking for matches…
|
|
||||||
error: No remote refs found for ‘org.gnome.Sdk’
|
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||||||
```
|
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||||||
|
|
||||||
Then:
|
|
||||||
|
|
||||||
```
|
|
||||||
flatpak remote-add --user --if-not-exists flathub https://flathub.org/repo/flathub.flatpakrepo
|
|
||||||
```
|
|
||||||
579
INTERFACES.md
@@ -1,579 +0,0 @@
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# Focusrite Scarlett and Clarett Interface Features by Model
|
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||||||
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||||||
The information here was compiled carefully and is believed accurate
|
|
||||||
but there might still be mistakes. Please independently confirm before
|
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||||||
relying on anything here.
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||||||
|
|
||||||
# Table of Contents
|
|
||||||
|
|
||||||
- [Scarlett 6i6 Gen 2](#scarlett-6i6-gen-2)
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- [Scarlett 18i8 Gen 2](#scarlett-18i8-gen-2)
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- [Scarlett 18i20 Gen 2](#scarlett-18i20-gen-2)
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- [Scarlett Solo Gen 3](#scarlett-solo-gen-3)
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- [Scarlett 2i2 Gen 3](#scarlett-2i2-gen-3)
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|
||||||
- [Scarlett 4i4 Gen 3](#scarlett-4i4-gen-3)
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|
||||||
- [Scarlett 8i6 Gen 3](#scarlett-8i6-gen-3)
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|
||||||
- [Scarlett 18i8 Gen 3](#scarlett-18i8-gen-3)
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|
||||||
- [Scarlett 18i20 Gen 3](#scarlett-18i20-gen-3)
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|
||||||
- [Clarett 2Pre USB and Clarett+ 2Pre](#clarett-2pre-usb-and-clarett-2pre)
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|
||||||
- [Clarett 4Pre USB and Clarett+ 4Pre](#clarett-4pre-usb-and-clarett-4pre)
|
|
||||||
- [Clarett 8Pre USB and Clarett+ 8Pre](#clarett-8pre-usb-and-clarett-8pre)
|
|
||||||
|
|
||||||
## Scarlett 6i6 Gen 2
|
|
||||||
|
|
||||||
- 6× Hardware Inputs
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|
||||||
- Analogue In 1–2: Mic/Line/Inst In 1–2 (Pad)
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|
||||||
- Analogue In 3–4: Line In 3–4
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|
||||||
- S/PDIF 1–2
|
|
||||||
|
|
||||||
- Hardware Input Controls
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|
||||||
- 2× Input Gain knobs for Analogue In 1–2
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|
||||||
- Fixed Input Gain for Analogue In 3–4
|
|
||||||
- Phantom Power for Analogue 1–2 linked
|
|
||||||
|
|
||||||
- 6× Hardware Outputs
|
|
||||||
- Analogue 1: Line 1 Out (Monitor L) + Headphone 1 Left
|
|
||||||
- Analogue 2: Line 2 Out (Monitor R) + Headphone 1 Right
|
|
||||||
- Analogue 3: Line 3 Out + Headphone 2 Left
|
|
||||||
- Analogue 4: Line 4 Out + Headphone 2 Right
|
|
||||||
- S/PDIF 1–2
|
|
||||||
|
|
||||||
- Hardware Output Controls
|
|
||||||
- Monitor volume knob controlling Line 1+2
|
|
||||||
- No physical control for Line 3+4 output volume
|
|
||||||
- Headphone 1 volume knob controlling Headphone 1 Volume
|
|
||||||
- Headphone 2 volume knob controlling Headphone 2 Volume
|
|
||||||
- 4× Mute + Line Out Gain controls −127dB to 0dB
|
|
||||||
- 1–2 control Line 1–2 Out and Headphone 1
|
|
||||||
- 3–4 control Line 3–4 Out and Headphone 2
|
|
||||||
|
|
||||||
- Mixer: 18 input (1–18), 10 output (A–J)
|
|
||||||
- 18×10 gain controls −80dB to +6dB
|
|
||||||
- Each input assignable to any of the assignable outputs
|
|
||||||
|
|
||||||
- 6× PCM Inputs (USB device to host)
|
|
||||||
|
|
||||||
- 6× PCM Outputs (USB host to device)
|
|
||||||
|
|
||||||
- Assignable outputs to the hardware outputs, mixer, and PCM Inputs:
|
|
||||||
- Off, Analogue Inputs 1–4, S/PDIF 1–2, Mix A–J, PCM Outputs 1–6
|
|
||||||
|
|
||||||
- Sync Status
|
|
||||||
|
|
||||||
- Clock Source: Internal or S/PDIF
|
|
||||||
|
|
||||||
## Scarlett 18i8 Gen 2
|
|
||||||
|
|
||||||
- 18× Hardware Inputs
|
|
||||||
- Analogue 1–2: Mic/Line/Inst In 1–2 (Pad)
|
|
||||||
- Analogue 3–4: Mic/Line In 3–4 (Pad)
|
|
||||||
- Analogue 5–8: Line In 5–8
|
|
||||||
- S/PDIF 1–2
|
|
||||||
- ADAT 1–8
|
|
||||||
|
|
||||||
- Hardware Input Controls
|
|
||||||
- 4× Input Gain knobs for Analogue In 1–4
|
|
||||||
- Fixed Input Gain for Analogue In 5–8
|
|
||||||
- Phantom Power for Analogue 1–2 linked
|
|
||||||
- Phantom Power for Analogue 3–4 linked
|
|
||||||
|
|
||||||
- 8× Hardware Outputs
|
|
||||||
- Analogue 1: Line 1 Out (Monitor L)
|
|
||||||
- Analogue 2: Line 2 Out (Monitor R)
|
|
||||||
- Analogue 3: Headphone 1 Left
|
|
||||||
- Analogue 4: Headphone 1 Right
|
|
||||||
- Analogue 5: Headphone 2 Left
|
|
||||||
- Analogue 6: Headphone 2 Right
|
|
||||||
- S/PDIF 1–2
|
|
||||||
|
|
||||||
- Hardware Output Controls
|
|
||||||
- Monitor volume knob controlling Line 1+2
|
|
||||||
- Headphone 1 volume knob controlling Headphone 1 Volume
|
|
||||||
- Headphone 2 volume knob controlling Headphone 2 Volume
|
|
||||||
- 6× Mute + Line Out Gain controls −127dB to 0dB
|
|
||||||
- 1–2 control Line 1–2 Out
|
|
||||||
- 3–4 control Headphone 1
|
|
||||||
- 5–6 control Headphone 2
|
|
||||||
|
|
||||||
- Mixer: 20 input (1–20), 10 output (A–J)
|
|
||||||
- 20×10 gain controls −80dB to +6dB
|
|
||||||
- Each input assignable to any of the assignable outputs
|
|
||||||
|
|
||||||
- 20× PCM Inputs (USB device to host)
|
|
||||||
|
|
||||||
- 8× PCM Outputs (USB host to device)
|
|
||||||
|
|
||||||
- Assignable outputs to the hardware outputs, mixer, and PCM Inputs:
|
|
||||||
- Off, Analogue Inputs 1–8, S/PDIF 1–2, ADAT 1–8, Mix A–J, PCM
|
|
||||||
Outputs 1–8
|
|
||||||
|
|
||||||
- Sync Status
|
|
||||||
|
|
||||||
- Clock Source: Internal, S/PDIF, or ADAT
|
|
||||||
|
|
||||||
## Scarlett 18i20 Gen 2
|
|
||||||
|
|
||||||
- 18× Hardware Inputs
|
|
||||||
- Analogue 1–2: Mic/Line/Inst In 1–2 (Pad)
|
|
||||||
- Analogue 3–8: Mic/Line In 3–8
|
|
||||||
- S/PDIF 1–2
|
|
||||||
- ADAT 1–8
|
|
||||||
|
|
||||||
- Hardware Input Controls
|
|
||||||
- 8× Input Gain knobs for Analogue In 1–8
|
|
||||||
- Phantom Power for Analogue 1–4 linked
|
|
||||||
- Phantom Power for Analogue 5–8 linked
|
|
||||||
|
|
||||||
- 20× Hardware Outputs
|
|
||||||
- Analogue 1: Line 1 Out (Monitor L)
|
|
||||||
- Analogue 2: Line 2 Out (Monitor R)
|
|
||||||
- Analogue 3: Line 3 Out
|
|
||||||
- Analogue 4: Line 4 Out
|
|
||||||
- Analogue 5: Line 5 Out
|
|
||||||
- Analogue 6: Line 6 Out
|
|
||||||
- Analogue 7: Line 7 Out + Headphone 1 Left
|
|
||||||
- Analogue 8: Line 8 Out + Headphone 1 Right
|
|
||||||
- Analogue 9: Line 9 Out + Headphone 2 Left
|
|
||||||
- Analogue 10: Line 10 Out + Headphone 2 Right
|
|
||||||
- S/PDIF 1–2
|
|
||||||
- ADAT 1–8
|
|
||||||
|
|
||||||
- Hardware Output Controls
|
|
||||||
- For Analogue 1–8 Outputs:
|
|
||||||
- 8× SW/HW Volume Control Switch
|
|
||||||
- 8× SW Line Out Gain controls −127dB to 0dB
|
|
||||||
- 8× SW Mute
|
|
||||||
- Monitor volume knob controlling volume of Analogue 1–8 (selected
|
|
||||||
by SW/HW Volume Control Switches)
|
|
||||||
- Global Mute and Dim controlling Analogue 1–8 (enabled per-channel
|
|
||||||
if SW/HW Volume Control Switch set to HW)
|
|
||||||
- 2× Headphone volume knob controlling Headphone volume (applied in
|
|
||||||
addition to the SW/HW Volume Control)
|
|
||||||
|
|
||||||
- Mixer: 20 input (1–20), 10 output (A–J)
|
|
||||||
- 20×10 gain controls −80dB to +6dB
|
|
||||||
- Each input assignable to any of the assignable outputs
|
|
||||||
|
|
||||||
- 20× PCM Inputs (USB device to host)
|
|
||||||
|
|
||||||
- 18× PCM Outputs (USB host to device)
|
|
||||||
|
|
||||||
- Assignable outputs to the hardware outputs, mixer, and PCM Inputs:
|
|
||||||
- Off, Analogue Inputs 1–8, S/PDIF 1–2, ADAT 1–8, Mix A–J, PCM
|
|
||||||
Outputs 1–8
|
|
||||||
|
|
||||||
- Sync Status
|
|
||||||
|
|
||||||
- Clock Source: Internal, S/PDIF, or ADAT
|
|
||||||
|
|
||||||
## Scarlett Solo Gen 3
|
|
||||||
|
|
||||||
- 2× Hardware Inputs
|
|
||||||
- Analogue In 1: Mic In (Air, Phantom Power)
|
|
||||||
- Analogue In 2: Line/Inst In
|
|
||||||
|
|
||||||
- Hardware Input Controls
|
|
||||||
- 2× Input Gain knobs for Analogue 1–2
|
|
||||||
- Phantom Power Persistence
|
|
||||||
|
|
||||||
- 2× Hardware Outputs
|
|
||||||
- Analogue Out 1: Line Out Left + Headphone Left
|
|
||||||
- Analogue Out 2: Line Out Right + Headphone Right
|
|
||||||
|
|
||||||
- Hardware Output Controls
|
|
||||||
- Monitor volume knob controls all outputs together
|
|
||||||
|
|
||||||
- 2× PCM Inputs (USB device to host)
|
|
||||||
- Fixed to Analogue Inputs 1–2
|
|
||||||
|
|
||||||
- 2× PCM Outputs (USB host to device)
|
|
||||||
- Fixed to Analogue Outputs 1–2
|
|
||||||
|
|
||||||
- Direct Monitor:
|
|
||||||
- On: mixes Analogue 1+2 Inputs into both Analogue 1+2 Outputs
|
|
||||||
|
|
||||||
## Scarlett 2i2 Gen 3
|
|
||||||
|
|
||||||
- 2× Hardware Inputs
|
|
||||||
- Analogue In 1–2: Mic/Line/Inst In 1–2 (Air)
|
|
||||||
|
|
||||||
- Hardware Input Controls
|
|
||||||
- 2× Input Gain knobs for Analogue 1–2
|
|
||||||
- Phantom Power for Analogue 1–2 linked
|
|
||||||
- Phantom Power Persistence
|
|
||||||
|
|
||||||
- 2× Hardware Outputs
|
|
||||||
- Analogue Out 1: Line Out Left + Headphone Left
|
|
||||||
- Analogue Out 2: Line Out Right + Headphone Right
|
|
||||||
|
|
||||||
- Hardware Output Controls
|
|
||||||
- Monitor volume knob for Line Out Left and Right
|
|
||||||
- Headphone volume knob for Headphone
|
|
||||||
|
|
||||||
- 2× PCM Inputs (USB device to host)
|
|
||||||
- Fixed to Analogue Inputs 1–2
|
|
||||||
|
|
||||||
- 2× PCM Outputs (USB host to device)
|
|
||||||
- Fixed to Analogue Outputs 1–2
|
|
||||||
|
|
||||||
- Direct Monitor:
|
|
||||||
- Mono: mixes both Analogue 1+2 Inputs into both Analogue 1+2
|
|
||||||
Outputs
|
|
||||||
- Stereo: mixes Analogue 1+2 Inputs into Analogue 1+2 Outputs
|
|
||||||
respectively
|
|
||||||
|
|
||||||
## Scarlett 4i4 Gen 3
|
|
||||||
|
|
||||||
- 4× Hardware Inputs
|
|
||||||
- Analogue In 1–2: Mic/Line/Inst In 1–2 (Air, Pad)
|
|
||||||
- Analogue In 3–4: Line In 3–4
|
|
||||||
|
|
||||||
- Hardware Input Controls
|
|
||||||
- 2× Input Gain knobs for Analogue In 1–2
|
|
||||||
- Fixed Input Gain for Analogue In 3–4
|
|
||||||
- Phantom Power for Analogue 1–2 linked
|
|
||||||
- Phantom Power Persistence
|
|
||||||
|
|
||||||
- 4× Hardware Outputs
|
|
||||||
- Analogue 1: Line 1 Out (Monitor L)
|
|
||||||
- Analogue 2: Line 2 Out (Monitor R)
|
|
||||||
- Analogue 3: Line 3 Out + Headphone Left
|
|
||||||
- Analogue 4: Line 4 Out + Headphone Right
|
|
||||||
|
|
||||||
- Hardware Output Controls
|
|
||||||
- Monitor volume knob controlling Line 1+2
|
|
||||||
- Headphone volume knob controlling Headphone volume
|
|
||||||
- No physical control for Line 3+4 output volume
|
|
||||||
- 4× Mute + Line Out Gain controls −127dB to 0dB
|
|
||||||
- 1–2 control Line 1–2 Out
|
|
||||||
- 3–4 control Line 3–4 Out and Headphone
|
|
||||||
|
|
||||||
- Mixer: 8 input (1–8), 6 output (A–F)
|
|
||||||
- 8×6 gain controls −80dB to +6dB
|
|
||||||
- Each input assignable to any of the assignable outputs
|
|
||||||
|
|
||||||
- 6× PCM Inputs (USB device to host)
|
|
||||||
|
|
||||||
- 4× PCM Outputs (USB host to device)
|
|
||||||
|
|
||||||
- Assignable outputs to the hardware outputs, mixer, and PCM Inputs:
|
|
||||||
- Off, Analogue Inputs 1–4, Mix A–F, PCM Outputs 1–4
|
|
||||||
|
|
||||||
- Sync Status
|
|
||||||
|
|
||||||
## Scarlett 8i6 Gen 3
|
|
||||||
|
|
||||||
- 8× Hardware Inputs
|
|
||||||
- Analogue 1–2: Mic/Line/Inst In 1–2 (Air, Pad)
|
|
||||||
- Analogue 3–6: Line In 3–6
|
|
||||||
- S/PDIF 1–2
|
|
||||||
|
|
||||||
- Hardware Input Controls
|
|
||||||
- 2× Input Gain knobs for Analogue In 1–2
|
|
||||||
- Fixed Input Gain for Analogue In 3–6
|
|
||||||
- Phantom Power for Analogue 1–2 linked
|
|
||||||
- Phantom Power Persistence
|
|
||||||
|
|
||||||
- 6× Hardware Outputs
|
|
||||||
- Analogue 1: Line 1 Out (Monitor L) + Headphone 1 Left
|
|
||||||
- Analogue 2: Line 2 Out (Monitor R) + Headphone 1 Right
|
|
||||||
- Analogue 3: Line 3 Out + Headphone 2 Left
|
|
||||||
- Analogue 4: Line 4 Out + Headphone 2 Right
|
|
||||||
- S/PDIF 1–2
|
|
||||||
|
|
||||||
- Hardware Output Controls
|
|
||||||
- Monitor volume knob controlling Line 1+2
|
|
||||||
- No physical control for Line 3+4 output volume
|
|
||||||
- Headphone 1 volume knob controlling Headphone 1 Volume
|
|
||||||
- Headphone 2 volume knob controlling Headphone 2 Volume
|
|
||||||
- 4× Line Out Gain controls −127dB to 0dB
|
|
||||||
- 1–2 control Line 1–2 Out and Headphone 1
|
|
||||||
- 3–4 control Line 3–4 Out and Headphone 2
|
|
||||||
|
|
||||||
- Mixer: 8 input (1–8), 8 output (A–H)
|
|
||||||
- 8×8 gain controls −80dB to +6dB
|
|
||||||
- Each input assignable to any of the assignable outputs
|
|
||||||
|
|
||||||
- 10× PCM Inputs (USB device to host)
|
|
||||||
|
|
||||||
- 6× PCM Outputs (USB host to device)
|
|
||||||
|
|
||||||
- Assignable outputs to the hardware outputs, mixer, and PCM Inputs:
|
|
||||||
- Off, Analogue Inputs 1–6, S/PDIF 1–2, Mix A–H, PCM Outputs 1–6
|
|
||||||
|
|
||||||
- Sync Status
|
|
||||||
|
|
||||||
- Clock Source: Internal or S/PDIF
|
|
||||||
|
|
||||||
## Scarlett 18i8 Gen 3
|
|
||||||
|
|
||||||
- 18× Hardware Inputs
|
|
||||||
- Analogue 1–2: Mic/Line/Inst In 1–2 (Air, Pad)
|
|
||||||
- Analogue 3–4: Mic/Line In 3–4 (Air, Pad)
|
|
||||||
- Analogue 5–8: Line In 5–8
|
|
||||||
- S/PDIF 1–2
|
|
||||||
- ADAT 1–8
|
|
||||||
|
|
||||||
- Hardware Input Controls
|
|
||||||
- 4× Input Gain knobs for Analogue In 1–4
|
|
||||||
- Fixed Input Gain for Analogue In 5–8
|
|
||||||
- Phantom Power for Analogue 1–2 linked
|
|
||||||
- Phantom Power for Analogue 3–4 linked
|
|
||||||
- Phantom Power Persistence
|
|
||||||
|
|
||||||
- 10× Hardware Outputs
|
|
||||||
- Analogue 1: Line 1 Out (Monitor L)
|
|
||||||
- Analogue 2: Line 2 Out (Monitor R)
|
|
||||||
- Analogue 3: Line 3 Out (Alt Monitor L)
|
|
||||||
- Analogue 4: Line 4 Out (Alt Monitor R)
|
|
||||||
- Analogue 5: Headphone 1 Left
|
|
||||||
- Analogue 6: Headphone 1 Right
|
|
||||||
- Analogue 7: Headphone 2 Left
|
|
||||||
- Analogue 8: Headphone 2 Right
|
|
||||||
- S/PDIF 1–2
|
|
||||||
|
|
||||||
Note: The Headphones outputs are internally Analogue 3–6 and the rear
|
|
||||||
Line 3/4 outputs (Alt Monitor) are internally Analogue 7/8, but the
|
|
||||||
driver hides this from you.
|
|
||||||
|
|
||||||
- Hardware Output Controls
|
|
||||||
- For Analogue 1–8 Outputs:
|
|
||||||
- 8× SW/HW Volume Control Switch
|
|
||||||
- 8× SW Line Out Gain controls −127dB to 0dB
|
|
||||||
- 8× SW Mute
|
|
||||||
- Monitor volume knob controlling volume of Analogue 1–8 (selected
|
|
||||||
by SW/HW Volume Control Switches)
|
|
||||||
- Global mute and dim controlling Analogue 1–8 (enabled per-channel
|
|
||||||
if SW/HW Volume Control Switch set to HW)
|
|
||||||
- 2× Headphone volume knob controlling Headphone volume (applied in
|
|
||||||
addition to the SW/HW Volume Control)
|
|
||||||
|
|
||||||
- Mixer: 18 input (1–18), 10 output (A–J)
|
|
||||||
- 18×10 gain controls −80dB to +6dB
|
|
||||||
- Each input assignable to any of the assignable outputs
|
|
||||||
|
|
||||||
- 18× PCM Inputs (USB device to host)
|
|
||||||
|
|
||||||
- 8× PCM Outputs (USB host to device)
|
|
||||||
|
|
||||||
- Assignable outputs to the hardware outputs, mixer, and PCM Inputs:
|
|
||||||
- Off, Analogue Inputs 1–8, S/PDIF 1–2, ADAT 1–8, Mix A–J, PCM
|
|
||||||
Outputs 1–20
|
|
||||||
|
|
||||||
- Speaker Switching
|
|
||||||
|
|
||||||
- Sync Status
|
|
||||||
|
|
||||||
- Clock Source: Internal, S/PDIF, or ADAT
|
|
||||||
|
|
||||||
## Scarlett 18i20 Gen 3
|
|
||||||
|
|
||||||
- 19× Hardware Inputs
|
|
||||||
- Analogue 1–2: Mic/Line/Inst In 1–2 (Air, Pad)
|
|
||||||
- Analogue 3–8: Mic/Line In 3–8 (Air, Pad)
|
|
||||||
- Analogue 9: Talkback Mic
|
|
||||||
- S/PDIF 1–2
|
|
||||||
- ADAT 1–8
|
|
||||||
|
|
||||||
- Hardware Input Controls
|
|
||||||
- 8× Input Gain knobs for Analogue In 1–8
|
|
||||||
- Phantom Power for Analogue 1–4 linked
|
|
||||||
- Phantom Power for Analogue 5–8 linked
|
|
||||||
- Phantom Power Persistence
|
|
||||||
|
|
||||||
- 20× Hardware Outputs
|
|
||||||
- Analogue 1: Line 1 Out (Monitor L)
|
|
||||||
- Analogue 2: Line 2 Out (Monitor R)
|
|
||||||
- Analogue 3: Line 3 Out
|
|
||||||
- Analogue 4: Line 4 Out
|
|
||||||
- Analogue 5: Line 5 Out
|
|
||||||
- Analogue 6: Line 6 Out
|
|
||||||
- Analogue 7: Line 7 Out + Headphone 1 Left
|
|
||||||
- Analogue 8: Line 8 Out + Headphone 1 Right
|
|
||||||
- Analogue 9: Line 9 Out + Headphone 2 Left
|
|
||||||
- Analogue 10: Line 10 Out + Headphone 2 Right
|
|
||||||
- S/PDIF 1–2
|
|
||||||
- ADAT 1–8
|
|
||||||
|
|
||||||
- Hardware Output Controls
|
|
||||||
- For Analogue 1–8 Outputs:
|
|
||||||
- 8× SW/HW Volume Control Switch
|
|
||||||
- 8× SW Line Out Gain controls −127dB to 0dB
|
|
||||||
- 8× SW Mute
|
|
||||||
- Monitor volume knob controlling volume of Analogue 1–8 (selected
|
|
||||||
by SW/HW Volume Control Switches)
|
|
||||||
- Global Mute and Dim controlling Analogue 1–8 (enabled per-channel
|
|
||||||
if SW/HW Volume Control Switch set to HW)
|
|
||||||
- 2× Headphone volume knob controlling Headphone volume (applied in
|
|
||||||
addition to the SW/HW Volume Control)
|
|
||||||
|
|
||||||
- Mixer: 25 input (1–25), 12 output (A–L)
|
|
||||||
- 25×12 gain controls −80dB to +6dB
|
|
||||||
- Each input assignable to any of the assignable outputs
|
|
||||||
|
|
||||||
- 20× PCM Inputs (USB device to host)
|
|
||||||
|
|
||||||
- 20× PCM Outputs (USB host to device)
|
|
||||||
|
|
||||||
- Assignable outputs to the hardware outputs, mixer, and PCM Inputs:
|
|
||||||
- Off, Analogue Inputs 1–8, S/PDIF 1–2, ADAT 1–8, Mix A–L, PCM
|
|
||||||
Outputs 1–8
|
|
||||||
|
|
||||||
- Speaker Switching
|
|
||||||
|
|
||||||
- Talkback Mic
|
|
||||||
|
|
||||||
- Sync Status
|
|
||||||
|
|
||||||
- Clock Source: Internal, S/PDIF, or ADAT
|
|
||||||
|
|
||||||
## Clarett 2Pre USB and Clarett+ 2Pre
|
|
||||||
|
|
||||||
- 12× Hardware Inputs
|
|
||||||
- Analogue 1–2: Mic/Line/Inst In 1–2 (Air)
|
|
||||||
- S/PDIF 1–2
|
|
||||||
- ADAT 1–8
|
|
||||||
|
|
||||||
- Hardware Input Controls
|
|
||||||
- 2× Input Gain knobs for Analogue In 1–2
|
|
||||||
- Phantom Power for Analogue 1–2 separate
|
|
||||||
|
|
||||||
- 4× Hardware Outputs
|
|
||||||
- Analogue 1: Line 1 Out (Monitor L)
|
|
||||||
- Analogue 2: Line 2 Out (Monitor R)
|
|
||||||
- Analogue 3: Line 3 Out + Headphone Left
|
|
||||||
- Analogue 4: Line 4 Out + Headphone Right
|
|
||||||
|
|
||||||
- Hardware Output Controls
|
|
||||||
- For Analogue 1–4 Outputs:
|
|
||||||
- 4× SW/HW Volume Control Switch
|
|
||||||
- 4× SW Line Out Gain controls −127dB to 0dB
|
|
||||||
- 4× SW Mute
|
|
||||||
- Monitor volume knob controlling volume of Analogue 1–4 (selected
|
|
||||||
by SW/HW Volume Control Switches)
|
|
||||||
- Global Mute and Dim controlling Analogue 1–4 (enabled per-channel
|
|
||||||
if SW/HW Volume Control Switch set to HW)
|
|
||||||
- Headphone volume knob controlling Headphone volume (applied in
|
|
||||||
addition to the SW/HW Volume Control)
|
|
||||||
|
|
||||||
- Mixer: 18 input (1–18), 10 output (A–J)
|
|
||||||
- 18×10 gain controls −80dB to +6dB
|
|
||||||
- Each input assignable to any of the assignable outputs
|
|
||||||
|
|
||||||
- 12× PCM Inputs (USB device to host)
|
|
||||||
|
|
||||||
- 4× PCM Outputs (USB host to device)
|
|
||||||
|
|
||||||
- Assignable outputs to the hardware outputs, mixer, and PCM Inputs:
|
|
||||||
- Off, Analogue Inputs 1–2, S/PDIF 1–2, ADAT 1–8, Mix A–J, PCM
|
|
||||||
Outputs 1–4
|
|
||||||
|
|
||||||
- Sync Status
|
|
||||||
|
|
||||||
- Clock Source: Internal, S/PDIF, or ADAT
|
|
||||||
|
|
||||||
## Clarett 4Pre USB and Clarett+ 4Pre
|
|
||||||
|
|
||||||
- 12× Hardware Inputs
|
|
||||||
- Analogue 1–2: Mic/Line/Inst In 1–2 (Air)
|
|
||||||
- Analogue 3–4: Mic/Line In 3–4 (Air)
|
|
||||||
- Analogue 4–8: Mic/Line In 4–8
|
|
||||||
- S/PDIF 1–2
|
|
||||||
- ADAT 1–8
|
|
||||||
|
|
||||||
- Hardware Input Controls
|
|
||||||
- 4× Input Gain knobs for Analogue In 1–4
|
|
||||||
- Phantom Power for Analogue 1–2 linked
|
|
||||||
- Phantom Power for Analogue 3–4 linked
|
|
||||||
|
|
||||||
- 8× Hardware Outputs
|
|
||||||
- Analogue 1: Line 1 Out (Monitor L)
|
|
||||||
- Analogue 2: Line 2 Out (Monitor R)
|
|
||||||
- Analogue 3: Line 3 Out + Headphone 1 Left
|
|
||||||
- Analogue 4: Line 4 Out + Headphone 1 Right
|
|
||||||
- Analogue 5: Line 5 Out + Headphone 2 Left
|
|
||||||
- Analogue 6: Line 6 Out + Headphone 2 Right
|
|
||||||
- S/PDIF 1–2
|
|
||||||
|
|
||||||
- Hardware Output Controls
|
|
||||||
- For Analogue 1–6 Outputs:
|
|
||||||
- 6× SW/HW Volume Control Switch
|
|
||||||
- 6× SW Line Out Gain controls −127dB to 0dB
|
|
||||||
- 6× SW Mute
|
|
||||||
- Monitor volume knob controlling volume of Analogue 1–6 (selected
|
|
||||||
by SW/HW Volume Control Switches)
|
|
||||||
- Global Mute and Dim controlling Analogue 1–6 (enabled per-channel
|
|
||||||
if SW/HW Volume Control Switch set to HW)
|
|
||||||
- 2× Headphone volume knob controlling Headphone volume (applied in
|
|
||||||
addition to the SW/HW Volume Control)
|
|
||||||
|
|
||||||
- Mixer: 18 input (1–18), 10 output (A–J)
|
|
||||||
- 18×10 gain controls −80dB to +6dB
|
|
||||||
- Each input assignable to any of the assignable outputs
|
|
||||||
|
|
||||||
- 18× PCM Inputs (USB device to host)
|
|
||||||
|
|
||||||
- 8× PCM Outputs (USB host to device)
|
|
||||||
|
|
||||||
- Assignable outputs to the hardware outputs, mixer, and PCM Inputs:
|
|
||||||
- Off, Analogue Inputs 1–8, S/PDIF 1–2, ADAT 1–8, Mix A–J, PCM
|
|
||||||
Outputs 1–8
|
|
||||||
|
|
||||||
- Sync Status
|
|
||||||
|
|
||||||
- Clock Source: Internal, S/PDIF, or ADAT
|
|
||||||
|
|
||||||
## Clarett 8Pre USB and Clarett+ 8Pre
|
|
||||||
|
|
||||||
- 18× Hardware Inputs
|
|
||||||
- Analogue 1–2: Mic/Line/Inst In 1–2 (Air)
|
|
||||||
- Analogue 3–8: Mic/Line In 3–8 (Air)
|
|
||||||
- S/PDIF 1–2
|
|
||||||
- ADAT 1–8
|
|
||||||
|
|
||||||
- Hardware Input Controls
|
|
||||||
- 8× Input Gain knobs for Analogue In 1–8
|
|
||||||
- Phantom Power for Analogue 1–4 linked
|
|
||||||
- Phantom Power for Analogue 5–8 linked
|
|
||||||
|
|
||||||
- 20× Hardware Outputs
|
|
||||||
- Analogue 1: Line 1 Out (Monitor L)
|
|
||||||
- Analogue 2: Line 2 Out (Monitor R)
|
|
||||||
- Analogue 3: Line 3 Out
|
|
||||||
- Analogue 4: Line 4 Out
|
|
||||||
- Analogue 5: Line 5 Out
|
|
||||||
- Analogue 6: Line 6 Out
|
|
||||||
- Analogue 7: Line 7 Out + Headphone 1 Left
|
|
||||||
- Analogue 8: Line 8 Out + Headphone 1 Right
|
|
||||||
- Analogue 9: Line 9 Out + Headphone 2 Left
|
|
||||||
- Analogue 10: Line 10 Out + Headphone 2 Right
|
|
||||||
- S/PDIF 1–2
|
|
||||||
- ADAT 1–8
|
|
||||||
|
|
||||||
- Hardware Output Controls
|
|
||||||
- For Analogue 1–10 Outputs:
|
|
||||||
- 6× SW/HW Volume Control Switch
|
|
||||||
- 6× SW Line Out Gain controls −127dB to 0dB
|
|
||||||
- 6× SW Mute
|
|
||||||
- Monitor volume knob controlling volume of Analogue 1–10 (selected
|
|
||||||
by SW/HW Volume Control Switches)
|
|
||||||
- Global Mute and Dim controlling Analogue 1–10 (enabled per-channel
|
|
||||||
if SW/HW Volume Control Switch set to HW)
|
|
||||||
- 2× Headphone volume knob controlling Headphone volume (applied in
|
|
||||||
addition to the SW/HW Volume Control)
|
|
||||||
|
|
||||||
- Mixer: 18 input (1–18), 10 output (A–J)
|
|
||||||
- 18×10 gain controls −80dB to +6dB
|
|
||||||
- Each input assignable to any of the assignable outputs
|
|
||||||
|
|
||||||
- 18× PCM Inputs (USB device to host)
|
|
||||||
|
|
||||||
- 20× PCM Outputs (USB host to device)
|
|
||||||
|
|
||||||
- Assignable outputs to the hardware outputs, mixer, and PCM Inputs:
|
|
||||||
- Off, Analogue Inputs 1–8, S/PDIF 1–2, ADAT 1–8, Mix A–J, PCM
|
|
||||||
Outputs 1–20
|
|
||||||
|
|
||||||
- Sync Status
|
|
||||||
|
|
||||||
- Clock Source: Internal, S/PDIF, or ADAT
|
|
||||||
59
README.md
@@ -4,11 +4,12 @@
|
|||||||
the Linux kernel Focusrite Scarlett2 USB Protocol Mixer Driver.
|
the Linux kernel Focusrite Scarlett2 USB Protocol Mixer Driver.
|
||||||
|
|
||||||
Supported interfaces:
|
Supported interfaces:
|
||||||
- Scarlett 2nd Gen 6i6, 18i8, 18i20 (the smaller interfaces are
|
- Scarlett 2nd Gen 6i6, 18i8, 18i20
|
||||||
controlled with physical buttons only)
|
|
||||||
- Scarlett 3rd Gen Solo, 2i2, 4i4, 8i6, 18i8, 18i20
|
- Scarlett 3rd Gen Solo, 2i2, 4i4, 8i6, 18i8, 18i20
|
||||||
|
- Scarlett 4th Gen Solo, 2i2, 4i4
|
||||||
- Clarett 2Pre, 4Pre, 8Pre USB
|
- Clarett 2Pre, 4Pre, 8Pre USB
|
||||||
- Clarett+ 2Pre, 4Pre, 8Pre
|
- Clarett+ 2Pre, 4Pre, 8Pre
|
||||||
|
- Vocaster One and Vocaster Two
|
||||||
|
|
||||||
## About
|
## About
|
||||||
|
|
||||||
@@ -16,64 +17,50 @@ Supported interfaces:
|
|||||||
|
|
||||||
The Focusrite USB audio interfaces are class compliant meaning that
|
The Focusrite USB audio interfaces are class compliant meaning that
|
||||||
they work “out of the box” on Linux as audio and MIDI interfaces
|
they work “out of the box” on Linux as audio and MIDI interfaces
|
||||||
(although on Gen 3/4 you need to disable MSD mode first for full
|
(although on Gen 3/4/Vocaster you need to disable MSD mode first for
|
||||||
functionality). However, except for some of the smallest models, they
|
full functionality). However, except for some of the smallest models,
|
||||||
have a bunch of proprietary functionality that required a kernel
|
they have a bunch of proprietary functionality that required a kernel
|
||||||
driver to be written specifically for those devices.
|
driver to be written specifically for those devices.
|
||||||
|
|
||||||
Linux kernel support (the “ALSA Focusrite Scarlett2 USB Protocol Mixer
|
|
||||||
Driver”) for the proprietary functionality was first added in:
|
|
||||||
- Scarlett Gen 2: Linux 5.4 (bugs fixed in Linux 5.14)
|
|
||||||
- Scarlett Gen 3: Linux 5.14
|
|
||||||
- Clarett+ 8Pre: Linux 6.1
|
|
||||||
- Clarett 2Pre/4Pre/8Pre USB, Clarett+ 2Pre/4Pre: Linux 6.7
|
|
||||||
|
|
||||||
Unfortunately, actually using this functionality used to be quite an
|
Unfortunately, actually using this functionality used to be quite an
|
||||||
awful experience. The existing applications like `alsamixer` and
|
awful experience. The existing applications like `alsamixer` and
|
||||||
`qasmixer` become completely user-hostile with the hundreds of
|
`qasmixer` become completely user-hostile with the hundreds of
|
||||||
controls presented for the Gen 3 18i20. Even the smallest Gen 3 4i4
|
controls presented for the Gen 3 18i20. Even the smallest Gen 3 4i4
|
||||||
interface at last count had 84 ALSA controls.
|
interface at last count had 84 ALSA controls.
|
||||||
|
|
||||||
Announcing the ALSA Scarlett Gen 2/3 (and Clarett USB/Clarett+!)
|
Announcing the ALSA Scarlett2 Control Panel, now supporting Scarlett
|
||||||
Control Panel!
|
Gen 2, 3, 4, Clarett, and Vocaster!
|
||||||
|
|
||||||

|

|
||||||
|
|
||||||
The GUI supports all features presented by the driver (if not, please
|
|
||||||
report a bug).
|
|
||||||
|
|
||||||
## Documentation
|
## Documentation
|
||||||
|
|
||||||
Refer to [INSTALL.md](INSTALL.md) for prerequisites, how to build,
|
Refer to [INSTALL.md](docs/INSTALL.md) for prerequisites, how to
|
||||||
install, and run.
|
build, install, and run.
|
||||||
|
|
||||||
Refer to [USAGE.md](USAGE.md) for usage information and known issues.
|
Refer to [USAGE.md](docs/USAGE.md) for general usage information and
|
||||||
|
known issues.
|
||||||
|
|
||||||
|
Information specific to various models:
|
||||||
|
|
||||||
|
- [Scarlett 3rd Gen Solo and 2i2](docs/iface-small.md)
|
||||||
|
|
||||||
|
- [Scarlett 2nd Gen 6i6+, 3rd Gen 4i4+, Clarett USB, and
|
||||||
|
Clarett+](docs/iface-large.md)
|
||||||
|
|
||||||
|
- [Scarlett 4th Gen](docs/iface-4th-gen.md)
|
||||||
|
|
||||||
## Donations
|
## Donations
|
||||||
|
|
||||||
This program is Free Software, developed using my personal resources,
|
This program is Free Software, developed using my personal resources,
|
||||||
over hundreds of hours.
|
over hundreds of hours.
|
||||||
|
|
||||||
If you like this software, please consider a donation to say thank you
|
If you like this software, please consider a donation to say thank
|
||||||
as it was expensive to purchase one of each model for development and
|
you! Any donation is appreciated.
|
||||||
testing! Any donation is appreciated.
|
|
||||||
|
|
||||||
- https://liberapay.com/gdb
|
- https://liberapay.com/gdb
|
||||||
- https://paypal.me/gdbau
|
- https://paypal.me/gdbau
|
||||||
|
|
||||||
## Scarlett Gen 4 Support
|
|
||||||
|
|
||||||
Focusrite recently released 3 new “Generation 4” interfaces: Solo,
|
|
||||||
2i2, and 4i4. The first draft of kernel support is available here:
|
|
||||||
https://github.com/geoffreybennett/scarlett-gen2/releases/tag/v6.5.11-g4.1
|
|
||||||
|
|
||||||
Please contact me by email if you would like to help test.
|
|
||||||
|
|
||||||
## Vocaster Support
|
|
||||||
|
|
||||||
Vocaster One and Two support will be coming once I've completed the
|
|
||||||
Scarlett 4th Gen support.
|
|
||||||
|
|
||||||
## License
|
## License
|
||||||
|
|
||||||
Copyright 2022-2024 Geoffrey D. Bennett
|
Copyright 2022-2024 Geoffrey D. Bennett
|
||||||
|
|||||||
366
USAGE.md
@@ -1,366 +0,0 @@
|
|||||||
# ALSA Scarlett2 Control Panel Usage
|
|
||||||
|
|
||||||
Refer to [INSTALL.md](INSTALL.md) for prerequisites, how to build,
|
|
||||||
install, and run.
|
|
||||||
|
|
||||||
For usage instructions, read on...
|
|
||||||
|
|
||||||
## No interface connected
|
|
||||||
|
|
||||||
If no interface is detected (usually because there isn’t one
|
|
||||||
connected!) you’ll see this window:
|
|
||||||
|
|
||||||

|
|
||||||
|
|
||||||
Plug in an interface or select the menu option File → Interface
|
|
||||||
Simulation and load a demo file to make more interesting things
|
|
||||||
happen.
|
|
||||||
|
|
||||||
## MSD (Mass Storage Device) Mode
|
|
||||||
|
|
||||||
If MSD Mode is enabled (as it is from the factory), you need to
|
|
||||||
disable it and restart your interface to get access to its full
|
|
||||||
functionality.
|
|
||||||
|
|
||||||

|
|
||||||
|
|
||||||
## Using on Small Interfaces
|
|
||||||
|
|
||||||
For the small Gen 3 interfaces (Solo and 2i2), there’s just a few
|
|
||||||
buttons to control the Air, Line, Phantom Power, and Direct Monitor
|
|
||||||
settings. Mostly nothing that you can’t access from the front panel
|
|
||||||
anyway.
|
|
||||||
|
|
||||||

|
|
||||||
|
|
||||||
The Line/Inst (Level), Air, and 48V controls are described below in
|
|
||||||
the Analogue Input Controls section.
|
|
||||||
|
|
||||||
Direct Monitor sends the analogue input signals to the analogue
|
|
||||||
outputs for zero-latency monitoring. On the 2i2, you have the choice
|
|
||||||
of Mono or Stereo monitoring. Mono sends both inputs to the left and
|
|
||||||
right outputs. Stereo sends input 1 to the left, and input 2 to the
|
|
||||||
right output.
|
|
||||||
|
|
||||||
The one control not accessible from the front panel is “Phantom Power
|
|
||||||
Persistence” (menu option View → Startup) which controls the Phantom
|
|
||||||
Power state when the interface is powered on.
|
|
||||||
|
|
||||||
## Gen 2 6i6+, Gen 3 4i4+, Clarett USB, and Clarett+ Interfaces
|
|
||||||
|
|
||||||
The Gen 2 6i6+, Gen 3 4i4+, and Clarett interfaces have many controls
|
|
||||||
available. The controls are split between 4 windows, 3 of which are by
|
|
||||||
default hidden.
|
|
||||||
|
|
||||||
The main window has:
|
|
||||||
- Global Controls
|
|
||||||
- Analogue Input Controls
|
|
||||||
- Analogue Output Controls
|
|
||||||
|
|
||||||

|
|
||||||
|
|
||||||
The View menu option on the main window lets you open three other
|
|
||||||
windows which contain the other controls:
|
|
||||||
- Routing
|
|
||||||
- Mixer
|
|
||||||
- Startup
|
|
||||||
|
|
||||||
### Global Controls
|
|
||||||
|
|
||||||
Global controls affect the operation of the interface as a whole.
|
|
||||||
|
|
||||||
#### Clock Source
|
|
||||||
|
|
||||||
Clock Source selects where the interface receives its digital clock
|
|
||||||
from. If you aren’t using S/PDIF or ADAT inputs, set this to Internal.
|
|
||||||
|
|
||||||
#### Sync Status
|
|
||||||
|
|
||||||
Sync Status indicates if the interface is locked to a valid digital
|
|
||||||
clock. If you aren’t using S/PDIF or ADAT inputs and the Sync Status
|
|
||||||
is Unlocked, change the Clock Source to Internal.
|
|
||||||
|
|
||||||
#### Speaker Switching (18i8 Gen 3 and 18i20 Gen 3 only)
|
|
||||||
|
|
||||||
Speaker Switching lets you swap between two pairs of monitoring
|
|
||||||
speakers very easily.
|
|
||||||
|
|
||||||
When enabled (Main or Alt):
|
|
||||||
|
|
||||||
- Line Out 1–4 Volume Control Switches are locked to HW
|
|
||||||
- Line Out 3/4 routing is saved
|
|
||||||
- Line Out 3/4 routing is set to the Line Out 1/2 routing
|
|
||||||
|
|
||||||
When set to Main, Line outputs 3 and 4 are muted.
|
|
||||||
|
|
||||||
When set to Alt, Line outputs 1 and 2 are muted.
|
|
||||||
|
|
||||||
When disabled (Off):
|
|
||||||
- Global mute is activated
|
|
||||||
- Line Out 1–4 Volume Control Switches are unlocked
|
|
||||||
- Line Out 3/4 routing is restored to the saved values
|
|
||||||
|
|
||||||
#### Talkback (18i20 Gen 3 only)
|
|
||||||
|
|
||||||
Talkback lets you add another channel (usually the talkback mic) to a
|
|
||||||
mix with a button push, usually to talk to musicians, and without
|
|
||||||
using an additional mic channel.
|
|
||||||
|
|
||||||
The Talkback feature has a few parts:
|
|
||||||
|
|
||||||
- Talkback Microphone connected to Analogue Input 9
|
|
||||||
- Talkback Disable/Enable internal switch
|
|
||||||
- Talkback Off/On physical switch
|
|
||||||
- Talkback Mix (one switch per mix)
|
|
||||||
- Mix Input 25
|
|
||||||
|
|
||||||
To set up the talkback feature, set Mix Input 25 to the talkback
|
|
||||||
source (usually Analogue Input 9), enable the Talkback Mix switches
|
|
||||||
for the mixes you want the talkback input to be heard on, and change
|
|
||||||
the Talkback control from Disabled to Off. Leave the Mix Input 25 gain
|
|
||||||
controls at zero (−127dB), otherwise the talkback inputs will be heard
|
|
||||||
even when talkback is disabled/off.
|
|
||||||
|
|
||||||
Pressing the Talkback switch on the device will then lower the volume
|
|
||||||
of the other inputs on the mixes for which talkback is enabled and
|
|
||||||
unmute Mix Input 25 on those mixes.
|
|
||||||
|
|
||||||
Talkback can also be activated by changing the Talkback control from
|
|
||||||
Off to On.
|
|
||||||
|
|
||||||
The talkback microphone can also be used just the same as any of the
|
|
||||||
other analogue inputs and routed to a physical output, PCM input, or
|
|
||||||
mixer input.
|
|
||||||
|
|
||||||
### Analogue Input Controls
|
|
||||||
|
|
||||||
This is applicable to all interfaces except the Gen 2 18i20 which has
|
|
||||||
hardware-only buttons for these features.
|
|
||||||
|
|
||||||
#### Level
|
|
||||||
|
|
||||||
The Level buttons are used to select between Mic/Line and Instrument
|
|
||||||
level/impedance. When plugging in microphones or line-level equipment
|
|
||||||
to the input, set it to “Line”. The “Inst” setting is for instrument
|
|
||||||
with pickups such as guitars.
|
|
||||||
|
|
||||||
#### Air (Gen 3, Clarett USB, and Clarett+ only)
|
|
||||||
|
|
||||||
Enabling Air will transform your recordings and inspire you while
|
|
||||||
making music.
|
|
||||||
|
|
||||||
#### Pad
|
|
||||||
|
|
||||||
Enabling Pad engages an attenuator in the channel, giving you more
|
|
||||||
headroom for very hot signals.
|
|
||||||
|
|
||||||
#### Phantom Power (48V)
|
|
||||||
|
|
||||||
Gen 2 devices have a hardware button for controlling phantom power.
|
|
||||||
|
|
||||||
Gen 3 devices have hardware and software control of phantom power.
|
|
||||||
Turning the “48V” switch on sends “Phantom Power” to the XLR
|
|
||||||
microphone input. This is required for some microphones (such as
|
|
||||||
condensor microphones), and damaging to some microphones (particularly
|
|
||||||
vintage ribbon microphones).
|
|
||||||
|
|
||||||
On Gen 3 device, phantom power is turned off by default when the
|
|
||||||
interface is turned on. This can be changed in the startup
|
|
||||||
configuration (menu option View → Startup).
|
|
||||||
|
|
||||||
### Analogue Output Controls
|
|
||||||
|
|
||||||
The analogue output controls let you set the output volume (gain) on
|
|
||||||
the analogue line out and headphone outputs. All interfaces support
|
|
||||||
setting the gain and muting individual channels.
|
|
||||||
|
|
||||||
Click and drag up/down to change the volume, or use your mouse scroll
|
|
||||||
wheel. You can also double-click on the volume dial to quickly toggle
|
|
||||||
the volume between the minimum value and 0dB.
|
|
||||||
|
|
||||||
The bigger interfaces: Gen 2 18i20, Gen 3 18i8, and Gen 3 18i20 have a
|
|
||||||
switchable hardware/software volume control. The position of the big
|
|
||||||
volume knob on the front of the interface is indicated by the “HW”
|
|
||||||
dial in the GUI. The analogue outputs can have their volume set either
|
|
||||||
by the knob (“HW” setting of of the HW/SW button) or by the dials on
|
|
||||||
each output (“SW” setting of the HW/SW button).
|
|
||||||
|
|
||||||
When set to HW, the mute/volume status for those channels is
|
|
||||||
controlled by the hardware volume knob and the global dim/mute
|
|
||||||
controls and the software volume dial and mute button for those
|
|
||||||
channels are disabled.
|
|
||||||
|
|
||||||
There are “mute” and “dim” (reduce volume) buttons below the “HW” dial
|
|
||||||
which affect only the outputs with “HW” control enabled. The Gen 3
|
|
||||||
18i8 doesn’t have physical buttons or indicator lights for these
|
|
||||||
controls, but the 18i20 devices do.
|
|
||||||
|
|
||||||
On the other (smaller) interfaces, the big volume knob on the front of
|
|
||||||
the interface controls the volume of the Line 1 and 2 outputs. This is
|
|
||||||
in addition to the software volume control, therefore both must be
|
|
||||||
turned up in order to hear anything. The other (line 3+) analogue
|
|
||||||
outputs are only controlled by the software controls.
|
|
||||||
|
|
||||||
The volume controls for the headphone outputs on each interface
|
|
||||||
operate in addition to any other hardware or software volume controls
|
|
||||||
for those channels. When using headphones, the volumes for those
|
|
||||||
channels would usually be set to 0dB and the actual volume controlled
|
|
||||||
with the physical headphone volume control(s).
|
|
||||||
|
|
||||||
See [INTERFACES.md](INTERFACES.md) for detailed information about the
|
|
||||||
analogue inputs and outputs.
|
|
||||||
|
|
||||||
### Routing
|
|
||||||
|
|
||||||
The routing window allows complete control of signal routing between
|
|
||||||
the hardware inputs/outputs, internal mixer, and PCM (USB)
|
|
||||||
inputs/outputs.
|
|
||||||
|
|
||||||

|
|
||||||
|
|
||||||
To manage the routing connections:
|
|
||||||
|
|
||||||
- Click and drag from a source to a sink or a sink to a source to
|
|
||||||
connect them. Audio from the source will then be sent to that sink.
|
|
||||||
|
|
||||||
- Click on a source or a sink to clear the links connected to that
|
|
||||||
source/sink.
|
|
||||||
|
|
||||||
Note that a sink can only be connected to one source, but one source
|
|
||||||
can be connected to many sinks. If you want a sink to receive input
|
|
||||||
from more than one source, use the mixer inputs and outputs.
|
|
||||||
|
|
||||||
The Presets menu can be used to clear all connections, or to set up
|
|
||||||
common configurations:
|
|
||||||
|
|
||||||
- The “Direct” preset sets up the usual configuration using the
|
|
||||||
interface as an audio interface by connecting:
|
|
||||||
|
|
||||||
- all Hardware Inputs to PCM Inputs
|
|
||||||
- all PCM Outputs to Hardware Outputs
|
|
||||||
|
|
||||||
- The “Preamp” preset connects all Hardware Inputs to Hardware Outputs.
|
|
||||||
|
|
||||||
- The “Stereo Out” preset connects PCM 1 and 2 Outputs to pairs of
|
|
||||||
Hardware Outputs.
|
|
||||||
|
|
||||||
The Direct routing configuration is the simplest most-generally-useful
|
|
||||||
configuration:
|
|
||||||
|
|
||||||

|
|
||||||
|
|
||||||
#### Loopback
|
|
||||||
|
|
||||||
Gen 2, Clarett USB, and Clarett+ interfaces have as many PCM Inputs as
|
|
||||||
Hardware Inputs. Gen 3 interfaces have two more PCM Inputs which
|
|
||||||
Focusrite Control uses as “Loopback” inputs.
|
|
||||||
|
|
||||||
The “Loopback” feature advertised for Gen 3 devices is actually a
|
|
||||||
limitation of the proprietary Focusrite Control software. All devices
|
|
||||||
(except Solo/2i2) support full reassignment of the PCM Inputs, so you
|
|
||||||
can have any PCM Input as a “Loopback” or assigned to any other
|
|
||||||
source.
|
|
||||||
|
|
||||||
#### Talkback
|
|
||||||
|
|
||||||
The Gen 3 18i20 talkback microphone is Analogue Input 9 and can be
|
|
||||||
routed like any other source. If you want to record using it, there is
|
|
||||||
no need for the loopback hack suggested by the vendor. Just route it
|
|
||||||
to a PCM Input.
|
|
||||||
|
|
||||||
### Mixer
|
|
||||||
|
|
||||||
If you use the Routing window to connect Sources to Mixer Inputs and
|
|
||||||
Mixer Outputs to Sinks, then you can use the Mixer window to set the
|
|
||||||
amount of each Mixer Input that is sent to each Mixer Output using a
|
|
||||||
matrix of controls:
|
|
||||||
|
|
||||||

|
|
||||||
|
|
||||||
Click and drag up/down on the gain controls to adjust, or use your
|
|
||||||
mouse scroll wheel. You can also double-click on the dial to quickly
|
|
||||||
toggle between the minimum value and 0dB.
|
|
||||||
|
|
||||||
### Startup
|
|
||||||
|
|
||||||
The Startup window is used to configure settings that only take effect
|
|
||||||
when the interface is powered on.
|
|
||||||
|
|
||||||

|
|
||||||
|
|
||||||
#### Standalone
|
|
||||||
|
|
||||||
When Standalone mode is enabled, the interface will continue to route
|
|
||||||
audio as per the previous routing and mixer settings after it has been
|
|
||||||
disconnected from a computer. By configuring the routing between the
|
|
||||||
hardware and mixer inputs and outputs appropriately, the interface can
|
|
||||||
act as a standalone preamp or mixer.
|
|
||||||
|
|
||||||
Standalone mode is supported on all devices supported by the kernel
|
|
||||||
driver. Even the 4i4 Gen 3 (which is bus-powered) will operate in
|
|
||||||
standalone mode.
|
|
||||||
|
|
||||||
#### Phantom Power Persistence (Gen 3 only)
|
|
||||||
|
|
||||||
When Phantom Power Persistence is enabled, the interface will restore
|
|
||||||
the previous Phantom Power/48V setting when the interface is turned
|
|
||||||
on. For the safety of microphones which can be damaged by phantom
|
|
||||||
power, the interface defaults to having phantom power disabled when it
|
|
||||||
is turned on.
|
|
||||||
|
|
||||||
#### MSD (Mass Storage Device) Mode (Gen 3 only)
|
|
||||||
|
|
||||||
When MSD Mode is enabled (as it is from the factory), the interface
|
|
||||||
has reduced functionality. You’ll want to have this disabled. On the
|
|
||||||
other hand, when MSD Mode is enabled, the interface presents itself as
|
|
||||||
a Mass Storage Device (like a USB stick), containing a link to the
|
|
||||||
Focusrite web site encouraging you to register your product and
|
|
||||||
download the proprietary drivers which can’t be used on Linux.
|
|
||||||
|
|
||||||
By default, once MSD Mode is disabled, the control for it is hidden.
|
|
||||||
If for some reason you want to re-enable MSD Mode, you can set the
|
|
||||||
`device_setup` option to 3 to get the control back.
|
|
||||||
|
|
||||||
## Load/Save Configuration
|
|
||||||
|
|
||||||
The entire state of the interface can be loaded and saved using the
|
|
||||||
File → Load Configuration and File → Save Configuration menu options.
|
|
||||||
|
|
||||||
Internally, this uses `alsactl`:
|
|
||||||
|
|
||||||
- Load: `alsactl restore USB -f <fn>`
|
|
||||||
- Save: `alsactl store USB -f <fn>`
|
|
||||||
|
|
||||||
The saved state files can be used to simulate an interface if you
|
|
||||||
don’t have one attached. The `demo` directory in the distribution
|
|
||||||
contains a sample file for every supported model.
|
|
||||||
|
|
||||||
## Interface Simulation Mode
|
|
||||||
|
|
||||||
The GUI can load an `alsactl` state file saved from a real interface
|
|
||||||
and display a GUI as if the corresponding interface was connected.
|
|
||||||
|
|
||||||
This is useful if you don’t have an interface connected and want to
|
|
||||||
try, develop, or debug the GUI.
|
|
||||||
|
|
||||||
Either specify the `.state` filename on the command line or select the
|
|
||||||
menu option File → Interface Simulation to load.
|
|
||||||
|
|
||||||
## Known Bugs/Issues
|
|
||||||
|
|
||||||
- Load/Save uses `alsactl` which will be confused if the ALSA
|
|
||||||
interface name (e.g. `USB`) changes.
|
|
||||||
|
|
||||||
- Load/Save is not implemented for simulated interfaces.
|
|
||||||
|
|
||||||
- The read-only status of controls in interface simulation mode does
|
|
||||||
not change when the HW/SW button is clicked.
|
|
||||||
|
|
||||||
- When there’s more than one main window open, closing one of them
|
|
||||||
doesn’t free and close everything related to that card.
|
|
||||||
|
|
||||||
- There is no facility to group channels into stereo pairs (needs
|
|
||||||
kernel support to save this information in the interface).
|
|
||||||
|
|
||||||
- There is no facility to give channels custom names (needs kernel
|
|
||||||
support to save this information in the interface).
|
|
||||||
154
docs/INSTALL.md
Normal file
@@ -0,0 +1,154 @@
|
|||||||
|
# ALSA Scarlett2 Control Panel Installation
|
||||||
|
|
||||||
|
## Prerequisites
|
||||||
|
|
||||||
|
### Linux Kernel
|
||||||
|
|
||||||
|
You need to be running a Linux Kernel that has the ALSA Scarlett2
|
||||||
|
Protocol Driver. Use `uname -r` to check what kernel version you are
|
||||||
|
running.
|
||||||
|
|
||||||
|
- For reasonable functionality of Scarlett 2nd and 3rd Gen and Clarett
|
||||||
|
interfaces, you need at least Linux kernel version 6.7
|
||||||
|
- For Scarlett 4th Gen support and firmware updates from Linux, you
|
||||||
|
need at least 6.8
|
||||||
|
- For Vocaster support, you’ll need to build an updated
|
||||||
|
`snd-usb-audio` driver (or wait for 6.10)
|
||||||
|
|
||||||
|
If you’ve got a Vocaster, or if your distribution doesn’t include a
|
||||||
|
recent-enough kernel for your interface, you can get the latest driver
|
||||||
|
from here and build it for your current kernel:
|
||||||
|
|
||||||
|
https://github.com/geoffreybennett/scarlett-gen2/releases
|
||||||
|
|
||||||
|
#### Enabling the Driver
|
||||||
|
|
||||||
|
As of Linux 6.7 the driver is enabled by default. Check the driver
|
||||||
|
status (after plugging your interface in) with this command:
|
||||||
|
|
||||||
|
```
|
||||||
|
dmesg | grep -i -A 5 -B 5 focusrite
|
||||||
|
```
|
||||||
|
|
||||||
|
If all is good you’ll see messages like this:
|
||||||
|
|
||||||
|
```
|
||||||
|
New USB device found, idVendor=1235, idProduct=8215, bcdDevice= 6.0b
|
||||||
|
Product: Scarlett 18i20 USB
|
||||||
|
Focusrite Scarlett Gen 3 Mixer Driver enabled (pid=0x8215); report
|
||||||
|
any issues to https://github.com/geoffreybennett/scarlett-gen2/issues
|
||||||
|
```
|
||||||
|
|
||||||
|
If you don’t see the “Mixer Driver” message or if it shows “disabled”
|
||||||
|
then check the [OLDKERNEL.md](OLDKERNEL.md) instructions.
|
||||||
|
|
||||||
|
### Gtk4
|
||||||
|
|
||||||
|
You need a Linux distribution with Gtk4 development libraries. If it
|
||||||
|
doesn’t have them natively, try the Flatpak instructions below.
|
||||||
|
|
||||||
|
### Firmware
|
||||||
|
|
||||||
|
As of Linux 6.8, firmware updates of all the supported interfaces can
|
||||||
|
be done through Linux. This is mandatory for Scarlett 4th Gen and
|
||||||
|
Vocaster interfaces (unless you’ve already updated it using the
|
||||||
|
manufacturer’s software), and optional for Scarlett 2nd and 3rd Gen,
|
||||||
|
Clarett USB, and Clarett+ interfaces.
|
||||||
|
|
||||||
|
Download the firmware from
|
||||||
|
https://github.com/geoffreybennett/scarlett2-firmware and place it in
|
||||||
|
`/usr/lib/firmware/scarlett2` or use the RPM/deb package.
|
||||||
|
|
||||||
|
## Building and Running
|
||||||
|
|
||||||
|
On Fedora, these packages need to be installed:
|
||||||
|
|
||||||
|
```
|
||||||
|
sudo dnf -y install alsa-lib-devel gtk4-devel openssl-devel
|
||||||
|
```
|
||||||
|
|
||||||
|
On OpenSUSE:
|
||||||
|
|
||||||
|
```
|
||||||
|
sudo zypper in git alsa-devel gtk4-devel libopenssl-devel
|
||||||
|
```
|
||||||
|
|
||||||
|
On Ubuntu:
|
||||||
|
|
||||||
|
```
|
||||||
|
sudo apt -y install git make gcc libgtk-4-dev libasound2-dev libssl-dev
|
||||||
|
```
|
||||||
|
|
||||||
|
To download from github:
|
||||||
|
|
||||||
|
```
|
||||||
|
git clone https://github.com/geoffreybennett/alsa-scarlett-gui
|
||||||
|
cd alsa-scarlett-gui
|
||||||
|
```
|
||||||
|
|
||||||
|
To build:
|
||||||
|
|
||||||
|
```
|
||||||
|
cd src
|
||||||
|
make -j4
|
||||||
|
```
|
||||||
|
|
||||||
|
To run:
|
||||||
|
|
||||||
|
```
|
||||||
|
./alsa-scarlett-gui
|
||||||
|
```
|
||||||
|
|
||||||
|
You can install it into `/usr/local` (binary, desktop file, and icon)
|
||||||
|
with:
|
||||||
|
|
||||||
|
```
|
||||||
|
sudo make install
|
||||||
|
```
|
||||||
|
|
||||||
|
And uninstall with:
|
||||||
|
|
||||||
|
```
|
||||||
|
sudo make uninstall
|
||||||
|
```
|
||||||
|
|
||||||
|
Continue on to reading [USAGE.md](USAGE.md) for how to use the GUI.
|
||||||
|
|
||||||
|
## Flatpak
|
||||||
|
|
||||||
|
With Flatpak, in any distro:
|
||||||
|
|
||||||
|
```
|
||||||
|
flatpak-builder --user --install --force-clean flatpak-build \
|
||||||
|
vu.b4.alsa-scarlett-gui.yml
|
||||||
|
```
|
||||||
|
|
||||||
|
Be sure to use `flatpak-build` as the directory where the flatpak is
|
||||||
|
built or hence you risk bundling the artifacts when committing!
|
||||||
|
|
||||||
|
If you get messages like these:
|
||||||
|
|
||||||
|
```
|
||||||
|
Failed to init: Unable to find sdk org.gnome.Sdk version 45
|
||||||
|
Failed to init: Unable to find runtime org.gnome.Platform version 45
|
||||||
|
```
|
||||||
|
|
||||||
|
Then install them:
|
||||||
|
|
||||||
|
```
|
||||||
|
flatpak install org.gnome.Sdk
|
||||||
|
flatpak install org.gnome.Platform
|
||||||
|
```
|
||||||
|
|
||||||
|
If you get:
|
||||||
|
|
||||||
|
```
|
||||||
|
Looking for matches…
|
||||||
|
error: No remote refs found for ‘org.gnome.Sdk’
|
||||||
|
```
|
||||||
|
|
||||||
|
Then:
|
||||||
|
|
||||||
|
```
|
||||||
|
flatpak remote-add --user --if-not-exists flathub https://flathub.org/repo/flathub.flatpakrepo
|
||||||
|
```
|
||||||
73
docs/OLDKERNEL.md
Normal file
@@ -0,0 +1,73 @@
|
|||||||
|
# ALSA Scarlett2 Usage With Old Kernels
|
||||||
|
|
||||||
|
Linux kernel 6.7 (check your version with `uname -r`) was the first
|
||||||
|
kernel version with this driver enabled by default. It’s recommended
|
||||||
|
that you run 6.7 or later, or build the backported driver for your
|
||||||
|
kernel. If you do, then these instructions aren’t relevant; continue
|
||||||
|
with [INSTALL.md](INSTALL.md) for prerequisites, how to build,
|
||||||
|
install, and run `alsa-scarlett-gui`.
|
||||||
|
|
||||||
|
If you’ve got a Scarlett Gen 2 or 3 or a Clarett+ 8Pre and don’t mind
|
||||||
|
the level meters not working, then the minimum kernel versions are:
|
||||||
|
|
||||||
|
- **Scarlett Gen 2**: Linux 5.4 (bugs fixed in Linux 5.14)
|
||||||
|
- **Scarlett Gen 3**: Linux 5.14
|
||||||
|
- **Clarett+ 8Pre**: Linux 6.1
|
||||||
|
|
||||||
|
## Linux Kernel with Backported Driver (recommended)
|
||||||
|
|
||||||
|
Install the latest version of the backported driver from here:
|
||||||
|
|
||||||
|
https://github.com/geoffreybennett/scarlett-gen2/releases
|
||||||
|
|
||||||
|
then you can ignore the instructions below.
|
||||||
|
|
||||||
|
## Linux Kernel before 6.7 without Backported Driver
|
||||||
|
|
||||||
|
If you’re running a kernel before 6.7 without the backported driver,
|
||||||
|
you need to enable it at module load time with the `device_setup=1`
|
||||||
|
option to insmod/modprobe. Create a file
|
||||||
|
`/etc/modprobe.d/scarlett.conf` containing the appropriate line for
|
||||||
|
your device:
|
||||||
|
|
||||||
|
Scarlett Gen 2:
|
||||||
|
|
||||||
|
- **6i6**: `options snd_usb_audio vid=0x1235 pid=0x8203 device_setup=1`
|
||||||
|
- **18i8**: `options snd_usb_audio vid=0x1235 pid=0x8204 device_setup=1`
|
||||||
|
- **18i20**: `options snd_usb_audio vid=0x1235 pid=0x8201 device_setup=1`
|
||||||
|
|
||||||
|
Scarlett Gen 3:
|
||||||
|
|
||||||
|
- **Solo**: `options snd_usb_audio vid=0x1235 pid=0x8211 device_setup=1`
|
||||||
|
- **2i2**: `options snd_usb_audio vid=0x1235 pid=0x8210 device_setup=1`
|
||||||
|
- **4i4**: `options snd_usb_audio vid=0x1235 pid=0x8212 device_setup=1`
|
||||||
|
- **8i6**: `options snd_usb_audio vid=0x1235 pid=0x8213 device_setup=1`
|
||||||
|
- **18i8**: `options snd_usb_audio vid=0x1235 pid=0x8214 device_setup=1`
|
||||||
|
- **18i20**: `options snd_usb_audio vid=0x1235 pid=0x8215 device_setup=1`
|
||||||
|
|
||||||
|
Clarett+:
|
||||||
|
|
||||||
|
- **8Pre**: `options snd_usb_audio vid=0x1235 pid=0x820c device_setup=1`
|
||||||
|
|
||||||
|
Or you can use a sledgehammer:
|
||||||
|
```
|
||||||
|
options snd_usb_audio device_setup=1,1,1,1
|
||||||
|
```
|
||||||
|
to pass that option to the first 4 USB audio devices.
|
||||||
|
|
||||||
|
To see if the driver is present and enabled: `dmesg | grep -i -A 5 -B
|
||||||
|
5 focusrite` should display information like:
|
||||||
|
|
||||||
|
```
|
||||||
|
New USB device found, idVendor=1235, idProduct=8215, bcdDevice= 6.0b
|
||||||
|
Product: Scarlett 18i20 USB
|
||||||
|
Focusrite Scarlett Gen 2/3 Mixer Driver enabled pid=0x8215
|
||||||
|
```
|
||||||
|
|
||||||
|
If the driver is disabled you’ll see a message like:
|
||||||
|
|
||||||
|
```
|
||||||
|
Focusrite Scarlett Gen 2/3 Mixer Driver disabled; use options
|
||||||
|
snd_usb_audio vid=0x1235 pid=0x8215 device_setup=1 to enable and
|
||||||
|
report any issues to g@b4.vu
|
||||||
|
```
|
||||||
144
docs/USAGE.md
Normal file
@@ -0,0 +1,144 @@
|
|||||||
|
# ALSA Scarlett2 Control Panel Usage
|
||||||
|
|
||||||
|
Refer to [INSTALL.md](INSTALL.md) for prerequisites, how to build,
|
||||||
|
install, and run.
|
||||||
|
|
||||||
|
## No interface connected
|
||||||
|
|
||||||
|
If no interface is detected (usually because there isn’t one
|
||||||
|
connected!) you’ll see this window:
|
||||||
|
|
||||||
|

|
||||||
|
|
||||||
|
Plug in an interface or select the menu option File → Interface
|
||||||
|
Simulation and load a demo file to make more interesting things
|
||||||
|
happen.
|
||||||
|
|
||||||
|
## First Time Usage
|
||||||
|
|
||||||
|
If your interface is fresh out of the box (or you haven’t updated it
|
||||||
|
using the manufacturer’s software), you may need to update the
|
||||||
|
firmware and/or disable MSD Mode first.
|
||||||
|
|
||||||
|
### Firmware Update Required
|
||||||
|
|
||||||
|
Some interfaces require a firmware update before all their
|
||||||
|
functionality is available. If the firmware is not available on your
|
||||||
|
system, you’ll see this window:
|
||||||
|
|
||||||
|

|
||||||
|
|
||||||
|
In this case, click on the link, download and install the firmware
|
||||||
|
package, then restart `alsa-scarlett-gui`.
|
||||||
|
|
||||||
|
If a firmware update is required and the firmware is available, you’ll
|
||||||
|
see this window:
|
||||||
|
|
||||||
|

|
||||||
|
|
||||||
|
Click “Update”, then “Yes” to update the firmware.
|
||||||
|
|
||||||
|

|
||||||
|
|
||||||
|
The update will take about 15 seconds, and then your interface will
|
||||||
|
restart, showing the main window.
|
||||||
|
|
||||||
|
### MSD (Mass Storage Device/Quick Start/Easy Start) Mode
|
||||||
|
|
||||||
|
If MSD Mode is enabled (as it is from the factory) and a firmware
|
||||||
|
update is not available or required, then you’ll see this window:
|
||||||
|
|
||||||
|

|
||||||
|
|
||||||
|
Click the “Enabled” button to disable MSD Mode, then click “Reboot” to
|
||||||
|
restart the interface, and in a moment the main window will appear.
|
||||||
|
|
||||||
|
## Startup Controls
|
||||||
|
|
||||||
|
The View → Startup menu option opens a window to configure settings
|
||||||
|
that only take effect when the interface is powered on.
|
||||||
|
|
||||||
|
The options common to all interfaces are:
|
||||||
|
|
||||||
|
- **Reset Configuration**: this will reset the configuration to the
|
||||||
|
factory defaults. This is particularly useful with the 4th Gen and
|
||||||
|
Vocaster interfaces if you’ve made a mess of the configuration and
|
||||||
|
want to start again.
|
||||||
|
|
||||||
|
- **Update Firmware**: if a firmware update is found in the
|
||||||
|
`/usr/share/firmware/scarlett2` directory, then an option to update
|
||||||
|
the firmware will be available here.
|
||||||
|
|
||||||
|
## File Menu
|
||||||
|
|
||||||
|
The File menu contains options to load and save the configuration,
|
||||||
|
load a configuration in simulation mode, and to exit the application.
|
||||||
|
|
||||||
|
### Load/Save Configuration
|
||||||
|
|
||||||
|
The entire state of the interface can be loaded and saved using the
|
||||||
|
File → Load Configuration and File → Save Configuration menu options.
|
||||||
|
|
||||||
|
Internally, this uses `alsactl`:
|
||||||
|
|
||||||
|
- **Load**: `alsactl restore USB -f <fn>`
|
||||||
|
- **Save**: `alsactl store USB -f <fn>`
|
||||||
|
|
||||||
|
The saved state files can be used to simulate an interface if you
|
||||||
|
don’t have one attached. The `demo` directory in the distribution
|
||||||
|
contains a sample file for every supported model.
|
||||||
|
|
||||||
|
### Interface Simulation Mode
|
||||||
|
|
||||||
|
The GUI can load an `alsactl` state file saved from a real interface
|
||||||
|
and display a GUI as if the corresponding interface was connected.
|
||||||
|
|
||||||
|
This is useful if you don’t have an interface connected and want to
|
||||||
|
try, develop, or debug the GUI.
|
||||||
|
|
||||||
|
Either specify the `.state` filename on the command line or select the
|
||||||
|
menu option File → Interface Simulation to load.
|
||||||
|
|
||||||
|
## Interface Controls
|
||||||
|
|
||||||
|
The controls and menu items which are available vary widely, depending
|
||||||
|
on your specific interface.
|
||||||
|
|
||||||
|
There are three broad categories of interfaces with different
|
||||||
|
capabilities; each category of interface is described in a separate
|
||||||
|
ocument:
|
||||||
|
|
||||||
|
- [Scarlett 3rd Gen Solo and 2i2](iface-small.md)
|
||||||
|
|
||||||
|
Minimal number of controls, and they mostly accessible through
|
||||||
|
hardware buttons anyway. Not very interesting.
|
||||||
|
|
||||||
|
- [Scarlett 2nd Gen 6i6+, 3rd Gen 4i4+, Clarett USB, and
|
||||||
|
Clarett+](iface-large.md)
|
||||||
|
|
||||||
|
Full routing and mixing capabilities.
|
||||||
|
|
||||||
|
- [Scarlett 4th Gen](iface-4th-gen.md)
|
||||||
|
|
||||||
|
Full routing and mixing capabilities, remote-controlled input gain,
|
||||||
|
but no output controls.
|
||||||
|
|
||||||
|
## Known Bugs/Issues
|
||||||
|
|
||||||
|
- Load/Save uses `alsactl` which will be confused if the ALSA
|
||||||
|
interface name (e.g. `USB`) changes.
|
||||||
|
|
||||||
|
- Load/Save is not implemented for simulated interfaces.
|
||||||
|
|
||||||
|
- The read-only status of controls in interface simulation mode does
|
||||||
|
not change when the HW/SW button is clicked.
|
||||||
|
|
||||||
|
- When there’s more than one main window open, closing one of them
|
||||||
|
doesn’t free and close everything related to that card.
|
||||||
|
|
||||||
|
- There is no facility to group channels into stereo pairs (needs
|
||||||
|
kernel support to save this information in the interface).
|
||||||
|
|
||||||
|
- There is no facility to give channels custom names (needs kernel
|
||||||
|
support to save this information in the interface).
|
||||||
349
docs/iface-4th-gen.md
Normal file
@@ -0,0 +1,349 @@
|
|||||||
|
# ALSA Scarlett2 Control Panel
|
||||||
|
|
||||||
|
## Scarlett 4th Gen Interfaces
|
||||||
|
|
||||||
|
This document describes how to use the ALSA Scarlett2 Control Panel
|
||||||
|
with the Scarlett 4th Gen interfaces:
|
||||||
|
|
||||||
|
- Scarlett 4th Gen Solo, 2i2, and 4i4
|
||||||
|
|
||||||
|
### Comparison with earlier Scarlett and Clarett Interfaces
|
||||||
|
|
||||||
|
If you are familiar with the Scarlett 2nd and 3rd Gen interfaces or
|
||||||
|
the Clarett interfaces, the major differences to the 4th Gen
|
||||||
|
interfaces from the point of view of this software are:
|
||||||
|
|
||||||
|
- The 4th Gen Solo and 2i2 interfaces have the full routing and mixing
|
||||||
|
capabilities of the larger 2nd and 3rd Gen and Clarett interfaces
|
||||||
|
(although the line outputs and the headphone outputs are still
|
||||||
|
linked).
|
||||||
|
|
||||||
|
- The 4th Gen 2i2 and 4i4 interfaces have software-controllable
|
||||||
|
(“remote”) input gain controls.
|
||||||
|
|
||||||
|
- The 4th Gen interfaces don’t have the output volume and mute
|
||||||
|
controls that the 2nd and 3rd Gen and Clarett interfaces have.
|
||||||
|
|
||||||
|
- The Air mode with Presence+Drive is implemented with a DSP which is
|
||||||
|
separately routable.
|
||||||
|
|
||||||
|
## Main Window
|
||||||
|
|
||||||
|
The main window is divided into three sections:
|
||||||
|
- Global Controls
|
||||||
|
- Analogue Input Controls
|
||||||
|
- Analogue Output Controls
|
||||||
|
|
||||||
|
The main window for the Solo and 2i2 interfaces is shown below; the
|
||||||
|
4i4 interface is similar to the 2i2, but doesn’t have the Direct
|
||||||
|
Monitor control, and can show the position of the front panel volume
|
||||||
|
knobs.
|
||||||
|
|
||||||
|

|
||||||
|
|
||||||
|
### Global Controls
|
||||||
|
|
||||||
|
#### Sync Status
|
||||||
|
|
||||||
|
Sync Status indicates if the interface is locked to a valid digital
|
||||||
|
clock. This should only ever briefly show “Unlocked” when the sample
|
||||||
|
rate is changed as these interfaces can only use their internal clock.
|
||||||
|
|
||||||
|
#### Power
|
||||||
|
|
||||||
|
The 4i4 has a “Power” control that displays the power status. It can
|
||||||
|
be “Fail”, “Bus”, or “External”. “Fail” means that the interface is
|
||||||
|
not receiving sufficient power; please see the Scarlett 4i4 4th Gen
|
||||||
|
User Guide for more information. “Bus” vs. “External” indicates
|
||||||
|
whether the interface is receiving power from the second USB-C port
|
||||||
|
(“External”) or not (“Bus”).
|
||||||
|
|
||||||
|
#### Sample Rate
|
||||||
|
|
||||||
|
Sample Rate is informative only, and displays the current sample rate
|
||||||
|
if the interface is currently in use. In ALSA, the sample rate is set
|
||||||
|
by the application using the interface, which is usually a sound
|
||||||
|
server such as PulseAudio, JACK, or PipeWire.
|
||||||
|
|
||||||
|
### Analogue Input Controls
|
||||||
|
|
||||||
|
The analogue input controls available depend on the interface model:
|
||||||
|
|
||||||
|
- **Instrument, Air, and Phantom Power**: All models
|
||||||
|
- **Mix**: Solo only (described later in the [Solo Mix
|
||||||
|
Control](#solo-mix-control) section)
|
||||||
|
- **Input Select, Link, Gain, Autogain, and Safe**: 2i2 and 4i4
|
||||||
|
|
||||||
|
#### Instrument
|
||||||
|
|
||||||
|
The Inst button(s) are used to select between Mic/Line and Instrument
|
||||||
|
level/impedance. When plugging in microphones or line-level equipment
|
||||||
|
(such as a synthesizer, external preamp, or effects processor) to the
|
||||||
|
input, set it to “Line”. The “Inst” setting is for instruments with
|
||||||
|
pickups such as guitars.
|
||||||
|
|
||||||
|
#### Air
|
||||||
|
|
||||||
|
The Scarlett 3rd Gen introduced Air mode which transformed your
|
||||||
|
recordings and inspired you while making music by boosting the
|
||||||
|
signal’s high-end. The 4th Gen interfaces now call that “Air Presence”
|
||||||
|
and add a new mode “Air Presence+Drive” which boosts mid-range
|
||||||
|
harmonics in your sound.
|
||||||
|
|
||||||
|
#### Phantom Power (48V)
|
||||||
|
|
||||||
|
Turning the “48V” switch on sends “Phantom Power” to the XLR
|
||||||
|
microphone input. This is required for some microphones (such as
|
||||||
|
condensor microphones), and damaging to some microphones (particularly
|
||||||
|
vintage ribbon microphones).
|
||||||
|
|
||||||
|
The 2i2 has a single 48V switch that controls both channels, and the
|
||||||
|
4i4 has an independent 48V switch for each channel.
|
||||||
|
|
||||||
|
#### Input Select
|
||||||
|
|
||||||
|
The 2i2 and 4i4 interfaces have hardware buttons for 48V, Inst, Air,
|
||||||
|
Auto, and Safe. The “Input Select” control allows you to choose which
|
||||||
|
channel those buttons control.
|
||||||
|
|
||||||
|
#### Link
|
||||||
|
|
||||||
|
The “Link” control links the 48V, Inst, Air, Auto, and Safe controls
|
||||||
|
together so that they control both channels simultaneously.
|
||||||
|
|
||||||
|
#### Gain
|
||||||
|
|
||||||
|
The “Gain” controls adjust the input gain for the selected channel.
|
||||||
|
Click and drag up/down on the control to adjust the gain, use your
|
||||||
|
mouse scroll wheel, or click the control to select it and use the
|
||||||
|
arrow keys, Page Up, Page Down, Home, and End keys.
|
||||||
|
|
||||||
|
#### Autogain
|
||||||
|
|
||||||
|
When the “Autogain” control is enabled, the interface will listen to
|
||||||
|
the input signal for ten seconds and automatically adjust the gain to
|
||||||
|
get the best signal level. When autogain is not running, the
|
||||||
|
most-recent autogain exit status is shown below the “Autogain”
|
||||||
|
control.
|
||||||
|
|
||||||
|
#### Safe
|
||||||
|
|
||||||
|
“Safe” mode is a feature that automatically reduces the gain if the
|
||||||
|
signal is too loud. This can be useful to prevent clipping.
|
||||||
|
|
||||||
|
### Analogue Output Controls
|
||||||
|
|
||||||
|
The analogue output controls available depend on the interface model:
|
||||||
|
|
||||||
|
- **Direct Monitor**: Solo and 2i2
|
||||||
|
- **Volume Knobs**: 4i4
|
||||||
|
|
||||||
|
#### Direct Monitor
|
||||||
|
|
||||||
|
Enabling Direct Monitor sends the analogue input signals to the
|
||||||
|
analogue outputs (speakers/headphones) for zero-latency monitoring.
|
||||||
|
|
||||||
|
On the 2i2, you have the choice of Mono or Stereo monitoring when you
|
||||||
|
click the button:
|
||||||
|
|
||||||
|
- **Mono** sends both inputs to the left and right outputs
|
||||||
|
- **Stereo** sends input 1 to the left, and input 2 to the right
|
||||||
|
output.
|
||||||
|
|
||||||
|
As the 4th Gen Solo and 2i2 interfaces have the full routing and
|
||||||
|
mixing capabilities of the larger 2nd and 3rd Gen interfaces, the
|
||||||
|
Direct Monitor levels can be [adjusted in the
|
||||||
|
mixer](#solo-direct-monitor).
|
||||||
|
|
||||||
|
The 4i4 has no Direct Monitor button, but that functionality can be
|
||||||
|
achieved with [appropriate configuration in the routing and mixing
|
||||||
|
windows](#4i4-sample-direct-monitor-configuration).
|
||||||
|
|
||||||
|
#### Volume Knobs
|
||||||
|
|
||||||
|
The 4i4 interface has volume knobs on the front panel, the position of
|
||||||
|
which is shown in the main window.
|
||||||
|
|
||||||
|
## Routing and Mixing
|
||||||
|
|
||||||
|
The routing and mixing capabilities of the 4th Gen interfaces are the
|
||||||
|
same in concept as the 2nd and 3rd Gen interfaces, but there is a DSP
|
||||||
|
which is separately routable, and the default routing uses the mixer
|
||||||
|
extensively.
|
||||||
|
|
||||||
|
From the main window, open the Routing window with the View → Routing
|
||||||
|
menu option or pressing Ctrl-R:
|
||||||
|
|
||||||
|

|
||||||
|
|
||||||
|
To understand the signal flow, note the following:
|
||||||
|
1. The Analogue 1 & 2 Inputs (i.e. the Mic/Line/Inst inputs) are
|
||||||
|
routed to the DSP Inputs.
|
||||||
|
2. The DSP Outputs are routed to the PCM 1 & 2 Inputs (that’s what
|
||||||
|
ALSA sees as the first two inputs from the interface for
|
||||||
|
recording).
|
||||||
|
3. The PCM Outputs (that’s what ALSA sees as the interface outputs for
|
||||||
|
playback) and the DSP Outputs are all connected to the Mixer
|
||||||
|
Inputs.
|
||||||
|
4. The Mixer A & B Outputs are connected to the Hardware Analogue
|
||||||
|
outputs (i.e. your speakers/headphones) so you can hear any mix of
|
||||||
|
the PCM and DSP Outputs (this is how the Direct Monitor function
|
||||||
|
works).
|
||||||
|
5. The Mixer C & D Outputs are connected to the PCM 3 & 4 Inputs (this
|
||||||
|
is referred to as Loopback, for recording audio from your computer,
|
||||||
|
but can be used for another purpose if you want).
|
||||||
|
|
||||||
|
Important Notes:
|
||||||
|
- The “Presets” are generally not useful with the 4th Gen interfaces
|
||||||
|
as they are designed for the 2nd and 3rd Gen interfaces. If you try
|
||||||
|
these out, you’ll probably want to reset back to the factory
|
||||||
|
defaults afterwards.
|
||||||
|
- Besides Air Mode, the DSP is also used for the gain halo level
|
||||||
|
meters and autogain, so if you route something else to the DSP
|
||||||
|
Inputs, those features will work “rather differently”.
|
||||||
|
- The Focusrite Control 2 software can’t control most of this routing,
|
||||||
|
so if you make changes here and then want to use Focusrite Control
|
||||||
|
2, you’ll probably need to reset the routing back to the factory
|
||||||
|
default settings. There’s currently no way to reset to factory
|
||||||
|
default settings from the Focusrite Control 2 software; you’ll need
|
||||||
|
to use the [Reset Configuration](USAGE.md#startup-controls) option
|
||||||
|
in this software, or the `scarlett2` utility.
|
||||||
|
|
||||||
|
To adjust the routing:
|
||||||
|
|
||||||
|
- Click and drag from a source to a sink or a sink to a source to
|
||||||
|
connect them. Audio from the source will then be sent to that sink.
|
||||||
|
|
||||||
|
- Click on a source or a sink to clear the links connected to that
|
||||||
|
source/sink.
|
||||||
|
|
||||||
|
Note that a sink can only be connected to one source, but one source
|
||||||
|
can be connected to many sinks.
|
||||||
|
|
||||||
|
To adjust the mixer output levels:
|
||||||
|
|
||||||
|
1) Open the mixer window with the main window View → Mixer menu
|
||||||
|
option, or press Ctrl-M.
|
||||||
|
|
||||||
|
2) Mixer levels can be adjusted with your keyboard or mouse in the
|
||||||
|
same way as the [Gain Controls](#gain).
|
||||||
|
|
||||||
|
### Solo Direct Monitor
|
||||||
|
|
||||||
|
When you enable or disable Direct Monitor on the Solo interface, the
|
||||||
|
interface will update the Mix A and B Outputs so that the DSP 1 & 2
|
||||||
|
Outputs are mixed in (or not) with the PCM 1 & 2 Outputs. Note how the
|
||||||
|
volume of the PCM outputs is also reduced when Direct Monitor is
|
||||||
|
enabled so that you can hear the DSP outputs (i.e. your Analogue
|
||||||
|
inputs) more clearly.
|
||||||
|
|
||||||
|

|
||||||
|
|
||||||
|
If you customise the Mix A/B mixer levels while Direct Monitor is
|
||||||
|
enabled, the new settings will be saved and used when Direct Monitor
|
||||||
|
is enabled again.
|
||||||
|
|
||||||
|
### 2i2 Direct Monitor
|
||||||
|
|
||||||
|
Similarly to the Solo interface, the 2i2 interface will update the Mix
|
||||||
|
A and B Outputs when you enable or disable Direct Monitor, but the 2i2
|
||||||
|
has Mono and Stereo options:
|
||||||
|
|
||||||
|

|
||||||
|
|
||||||
|
Note how in Mono mode:
|
||||||
|
|
||||||
|
- the DSP 1 & 2 Outputs are mixed to both the left and right outputs
|
||||||
|
|
||||||
|
and in Stereo mode:
|
||||||
|
|
||||||
|
- DSP 1 (i.e. Analogue Input 1) is sent to the left output (Mix A),
|
||||||
|
and
|
||||||
|
- DSP 2 (i.e. Analogue Input 2) is sent to the right output (Mix B).
|
||||||
|
|
||||||
|
### Solo Mix Control
|
||||||
|
|
||||||
|
The Mix control is only available on the Solo interface. It switches
|
||||||
|
the source for the PCM 1 & 2 Inputs between the DSP Outputs and the
|
||||||
|
Mixer E & F Outputs.
|
||||||
|
|
||||||
|

|
||||||
|
|
||||||
|
By default, enabling this control will mix the Analogue 1 & 2 Inputs
|
||||||
|
together before they are sent to the PCM 1 & 2 Inputs:
|
||||||
|
|
||||||
|

|
||||||
|
|
||||||
|
This can be useful if you want to treat the PCM 1 & 2 Inputs as a
|
||||||
|
stereo pair, and not have the line/instrument input panned hard left
|
||||||
|
and the microphone input panned hard right.
|
||||||
|
|
||||||
|
The mixer levels for the Mix E & F Outputs can adjusted to suit.
|
||||||
|
|
||||||
|
### 4i4 Routing and Mixing
|
||||||
|
|
||||||
|
Although the 4th Gen 4i4 has no explicit Direct Monitor control, it is
|
||||||
|
far more flexible because it has 6 PCM inputs, 6 PCM outputs, a 10×6
|
||||||
|
mixer, and 6 Analogue Hardware outputs.
|
||||||
|
|
||||||
|
Analogue Outputs 1–4 correspond to the Line Outputs 1–4 on the back of
|
||||||
|
the interface, and Analogue Outputs 5–6 correspond to the Headphone
|
||||||
|
Output on the front of the interface.
|
||||||
|
|
||||||
|
The default routing and mix for the 4i4 is shown below:
|
||||||
|
|
||||||
|

|
||||||
|
|
||||||
|
Note that with the default routing/mix settings:
|
||||||
|
- The Analogue Inputs 1–4 are routed to the PCM Inputs 1–4 (the first
|
||||||
|
two going via the DSP).
|
||||||
|
- PCM Inputs 5–6 are used for Loopback (recording audio from your
|
||||||
|
computer).
|
||||||
|
- All the Hardware Inputs and PCM Outputs are connected to the Mixer
|
||||||
|
Inputs.
|
||||||
|
- PCM Outputs 1–4 are connected to the Analogue Outputs 1–4 (via the
|
||||||
|
mixer).
|
||||||
|
- The Line 1–2 Outputs (Analogue Outputs 1–2) and the Headphones
|
||||||
|
(Analogue Outputs 5–6) share the Mixer Outputs A & B.
|
||||||
|
|
||||||
|
#### 4i4 Sample Direct Monitor Configuration
|
||||||
|
|
||||||
|
A common configuration for the 4i4 is to send the PCM 1 & 2 Outputs
|
||||||
|
mixed with the Analogue Inputs 1 & 2 to the Headphones, while leaving
|
||||||
|
the Analogue Outputs 1–2 as they are. This is an advanced version of
|
||||||
|
the direct monitoring feature that is available on the Solo and 2i2.
|
||||||
|
It can be implemented by:
|
||||||
|
|
||||||
|
1) Route Mixer Outputs E & F to Analogue Outputs 5 & 6.
|
||||||
|
2) Turn up Mix E & F DSP 1 & 2 levels in the mixer (see the mixer
|
||||||
|
example above for [2i2 Direct Monitor](#2i2-direct-monitor)).
|
||||||
|
|
||||||
|
As there are only 6 Mixer Outputs, the PCM 5 & 6 Inputs (Loopback) are
|
||||||
|
now shared with the headphones. If you want to retain the Loopback
|
||||||
|
functionality without having the Analogue Inputs mixed in, you could:
|
||||||
|
- Route the PCM 1 & 2 Outputs directly to the PCM 5 & 6 Inputs, rather
|
||||||
|
than going via the mixer, or
|
||||||
|
- Free up Mixer Outputs A & B for Loopback by routing PCM Outputs 1 &
|
||||||
|
2 directly to Analogue Outputs 1 & 2.
|
||||||
|
|
||||||
|
Besides Direct Monitor, there are many other possibilities for
|
||||||
|
routing/mixing with the 4i4. For example, by using the additional PCM
|
||||||
|
Outputs and Inputs you could set up a mix-minus configuration for a
|
||||||
|
podcast/video call.
|
||||||
|
|
||||||
|
## Levels
|
||||||
|
|
||||||
|
The meters show the levels seen by the interface at every routing
|
||||||
|
sink: Hardware Outputs, Mixer Inputs, DSP Inputs, and PCM Inputs. Open
|
||||||
|
this window by selecting the View → Levels menu option or pressing
|
||||||
|
Ctrl-L.
|
||||||
|
|
||||||
|

|
||||||
|
|
||||||
|
Look at this in conjunction with the routing window to understand
|
||||||
|
which meter corresponds to which source or sink.
|
||||||
|
|
||||||
|
Thanks for reading this far! If you appreciate the hundreds of hours
|
||||||
|
of work that went into the kernel driver, the control panel, and this
|
||||||
|
documentation, please consider supporting the author with a
|
||||||
|
[donation](../README.md#donations).
|
||||||
321
docs/iface-large.md
Normal file
@@ -0,0 +1,321 @@
|
|||||||
|
# ALSA Scarlett2 Control Panel
|
||||||
|
|
||||||
|
## Large Scarlett 2nd and 3rd Gen and Clarett Interfaces
|
||||||
|
|
||||||
|
This document describes how to use the ALSA Scarlett2 Control Panel
|
||||||
|
with the larger Scarlett 2nd Gen, 3rd Gen, and Clarett USB interfaces:
|
||||||
|
|
||||||
|
- Scarlett 2nd Gen 6i6, 18i8, 18i20
|
||||||
|
- Scarlett 3rd Gen 4i4, 8i6, 18i8, 18i20
|
||||||
|
- Clarett 2Pre, 4Pre, 8Pre USB
|
||||||
|
- Clarett+ 2Pre, 4Pre, 8Pre
|
||||||
|
|
||||||
|
## Main Window
|
||||||
|
|
||||||
|
The main window is divided into three sections:
|
||||||
|
|
||||||
|
- Global Controls
|
||||||
|
- Analogue Input Controls
|
||||||
|
- Analogue Output Controls
|
||||||
|
|
||||||
|
The particular controls available depend on the interface model; the
|
||||||
|
3rd Gen 18i20 has all the controls so is shown here:
|
||||||
|
|
||||||
|

|
||||||
|
|
||||||
|
Note that the View menu option lets you open three other windows which
|
||||||
|
contain additional controls, described in the following sections:
|
||||||
|
- [Routing](#routing)
|
||||||
|
- [Mixer](#mixer)
|
||||||
|
- [Levels](#levels)
|
||||||
|
- [Startup](#startup)
|
||||||
|
|
||||||
|
### Global Controls
|
||||||
|
|
||||||
|
Global controls relate to the operation of the interface as a whole.
|
||||||
|
|
||||||
|

|
||||||
|
|
||||||
|
#### Clock Source (interfaces with S/PDIF or ADAT inputs only)
|
||||||
|
|
||||||
|
Clock Source selects where the interface receives its digital clock
|
||||||
|
from. If you aren’t using S/PDIF or ADAT inputs, set this to Internal.
|
||||||
|
|
||||||
|
#### Sync Status
|
||||||
|
|
||||||
|
Sync Status indicates if the interface is locked to a valid digital
|
||||||
|
clock. If you aren’t using S/PDIF or ADAT inputs and the Sync Status
|
||||||
|
is Unlocked, change the Clock Source to Internal.
|
||||||
|
|
||||||
|
#### Sample Rate
|
||||||
|
|
||||||
|
Sample Rate is informative only, and displays the current sample rate
|
||||||
|
if the interface is currently in use. In ALSA, the sample rate is set
|
||||||
|
by the application using the interface, which is usually a sound
|
||||||
|
server such as PulseAudio, JACK, or PipeWire.
|
||||||
|
|
||||||
|
#### Speaker Switching (Scarlett 3rd Gen 18i8 and 18i20 only)
|
||||||
|
|
||||||
|
Speaker Switching lets you swap between two pairs of monitoring
|
||||||
|
speakers very easily.
|
||||||
|
|
||||||
|
When enabled (Main or Alt):
|
||||||
|
|
||||||
|
- Line Out 1–4 Volume Control Switches are locked to HW
|
||||||
|
- Line Out 3/4 routing is saved
|
||||||
|
- Line Out 3/4 routing is set to the Line Out 1/2 routing
|
||||||
|
|
||||||
|
When set to Main, Line outputs 3 and 4 are muted.
|
||||||
|
|
||||||
|
When set to Alt, Line outputs 1 and 2 are muted.
|
||||||
|
|
||||||
|
When disabled (Off):
|
||||||
|
- Global mute is activated ⭐
|
||||||
|
- Line Out 1–4 Volume Control Switches are unlocked
|
||||||
|
- Line Out 3/4 routing is restored to the saved values
|
||||||
|
|
||||||
|
⭐ You likely won’t expect this to happen. Make sure to unmute the
|
||||||
|
outputs after disabling speaker switching if you want to hear
|
||||||
|
something again.
|
||||||
|
|
||||||
|
#### Talkback (Scarlett 3rd Gen 18i20 only)
|
||||||
|
|
||||||
|
Talkback lets you add another channel (usually the talkback mic) to a
|
||||||
|
mix with a button push, usually to talk to musicians, and without
|
||||||
|
using an additional mic channel.
|
||||||
|
|
||||||
|
The Talkback feature has a few parts:
|
||||||
|
|
||||||
|
- Talkback Microphone connected to Analogue Input 9
|
||||||
|
- Talkback Disable/Enable and Off/On software switches
|
||||||
|
- Talkback Off/On physical switch
|
||||||
|
- Talkback Mix (one switch per mix)
|
||||||
|
- Mix Input 25
|
||||||
|
|
||||||
|
To set up the talkback feature, set Mix Input 25 to the talkback
|
||||||
|
source (usually Analogue Input 9), enable the Talkback Mix switches
|
||||||
|
for the mixes you want the talkback input to be heard on, and change
|
||||||
|
the Talkback control from Disabled to Off. Leave the Mix Input 25 gain
|
||||||
|
controls at zero (−127dB), otherwise the talkback inputs will be heard
|
||||||
|
even when talkback is disabled/off.
|
||||||
|
|
||||||
|
Pressing the Talkback switch on the device will then lower the volume
|
||||||
|
of the other inputs on the mixes for which talkback is enabled and
|
||||||
|
unmute Mix Input 25 on those mixes.
|
||||||
|
|
||||||
|
Talkback can also be activated by changing the Talkback control from
|
||||||
|
Off to On.
|
||||||
|
|
||||||
|
The talkback microphone can also be used just the same as any of the
|
||||||
|
other analogue inputs and routed to a physical output, PCM input, or
|
||||||
|
mixer input.
|
||||||
|
|
||||||
|
### Analogue Input Controls
|
||||||
|
|
||||||
|
This section is applicable to all interfaces except the Scarlett 2nd
|
||||||
|
Gen 18i20 which has hardware-only buttons for these features.
|
||||||
|
|
||||||
|

|
||||||
|
|
||||||
|
#### Inst
|
||||||
|
|
||||||
|
The Inst buttons are used to select between Mic/Line and Instrument
|
||||||
|
level/impedance. When plugging in microphones or line-level equipment
|
||||||
|
(such as a synthesizer, external preamp, or effects processor) to the
|
||||||
|
input, set it to “Line”. The “Inst” setting is for instruments with
|
||||||
|
pickups such as guitars.
|
||||||
|
|
||||||
|
#### Air (Scarlett 3rd Gen and Clarett only)
|
||||||
|
|
||||||
|
Enabling Air will transform your recordings and inspire you while
|
||||||
|
making music.
|
||||||
|
|
||||||
|
#### Pad
|
||||||
|
|
||||||
|
Enabling Pad engages a 10dB attenuator in the channel, giving you more
|
||||||
|
headroom for very hot signals.
|
||||||
|
|
||||||
|
#### Phantom Power (48V)
|
||||||
|
|
||||||
|
Scarlett 2nd Gen and Clarett devices have a hardware button for
|
||||||
|
controlling phantom power.
|
||||||
|
|
||||||
|
Scarlett 3rd Gen devices have hardware and software control of phantom
|
||||||
|
power. Turning the “48V” switch on sends “Phantom Power” to the XLR
|
||||||
|
microphone input. This is required for some microphones (such as
|
||||||
|
condensor microphones), and damaging to some microphones (particularly
|
||||||
|
vintage ribbon microphones).
|
||||||
|
|
||||||
|
On Scarlett 3rd Gen devices, phantom power is turned off by default
|
||||||
|
when the interface is turned on. This can be changed in the startup
|
||||||
|
configuration (menu option View → Startup).
|
||||||
|
|
||||||
|
### Analogue Output Controls
|
||||||
|
|
||||||
|
The analogue output controls let you set the output volume (gain) on
|
||||||
|
the analogue line out and headphone outputs. All interfaces support
|
||||||
|
setting the gain and muting individual channels.
|
||||||
|
|
||||||
|

|
||||||
|
|
||||||
|
Click and drag up/down on the volume dial to change the volume, use
|
||||||
|
your arrow keys, Home/End/PgUp/PgDn keys, or use your mouse scroll
|
||||||
|
wheel to adjust. You can also double-click on it to quickly toggle the
|
||||||
|
volume between off and 0dB.
|
||||||
|
|
||||||
|
The biggest interfaces: Scarlett 2nd Gen 18i20, 3rd Gen 18i8, and 3rd
|
||||||
|
Gen 18i20 have a switchable hardware/software volume control. The
|
||||||
|
position of the big volume knob on the front of the interface is
|
||||||
|
indicated by the “HW” dial in the GUI. The analogue outputs can have
|
||||||
|
their volume set either by the knob (“HW” setting of of the HW/SW
|
||||||
|
button) or by the dials on each output (“SW” setting of the HW/SW
|
||||||
|
button).
|
||||||
|
|
||||||
|
When set to HW, the mute/volume status for those channels is
|
||||||
|
controlled by the hardware volume knob and the global dim/mute
|
||||||
|
controls and the software volume dial and mute button for those
|
||||||
|
channels are disabled.
|
||||||
|
|
||||||
|
There are “mute” and “dim” (reduce volume) buttons below the “HW” dial
|
||||||
|
which affect only the outputs with “HW” control enabled. The 3rd Gen
|
||||||
|
18i8 doesn’t have physical buttons or indicator lights for these
|
||||||
|
controls, but the 18i20 devices do.
|
||||||
|
|
||||||
|
On the other (smaller) interfaces, the big volume knob on the front of
|
||||||
|
the interface controls the volume of the Line 1 and 2 outputs. This is
|
||||||
|
in addition to the software volume control, therefore both must be
|
||||||
|
turned up in order to hear anything. The other (line 3+) analogue
|
||||||
|
outputs are only controlled by the software controls.
|
||||||
|
|
||||||
|
The volume controls for the headphone outputs on each interface
|
||||||
|
operate in addition to any other hardware or software volume controls
|
||||||
|
for those channels. When using headphones, the volumes for those
|
||||||
|
channels would usually be set to 0dB and the actual volume controlled
|
||||||
|
with the physical headphone volume control(s).
|
||||||
|
|
||||||
|
## Routing
|
||||||
|
|
||||||
|
The routing window allows complete control of signal routing between
|
||||||
|
the hardware inputs/outputs, internal mixer, and PCM (USB)
|
||||||
|
inputs/outputs.
|
||||||
|
|
||||||
|

|
||||||
|
|
||||||
|
To manage the routing connections:
|
||||||
|
|
||||||
|
- Click and drag from a source to a sink or a sink to a source to
|
||||||
|
connect them. Audio from the source will then be sent to that sink.
|
||||||
|
|
||||||
|
- Click on a source or a sink to clear the links connected to that
|
||||||
|
source/sink.
|
||||||
|
|
||||||
|
Note that a sink can only be connected to one source, but one source
|
||||||
|
can be connected to many sinks. If you want a sink to receive input
|
||||||
|
from more than one source, use the mixer inputs and outputs:
|
||||||
|
|
||||||
|
- Connect the sources that you want to mix together to mixer inputs
|
||||||
|
- Connect mixer outputs to the sinks that you want to receive the
|
||||||
|
mixed audio
|
||||||
|
- Use the Mixer window to set the amount of each mixer input that is
|
||||||
|
sent to each mixer output
|
||||||
|
|
||||||
|
The Presets menu can be used to clear all connections, or to set up
|
||||||
|
common configurations:
|
||||||
|
|
||||||
|
- The “Direct” preset sets up the usual configuration using the
|
||||||
|
interface as a regular audio interface by connecting:
|
||||||
|
|
||||||
|
- all Hardware Inputs to PCM Inputs
|
||||||
|
- all PCM Outputs to Hardware Outputs
|
||||||
|
|
||||||
|
- The “Preamp” preset connects all Hardware Inputs to Hardware
|
||||||
|
Outputs.
|
||||||
|
|
||||||
|
- The “Stereo Out” preset connects PCM 1 and 2 Outputs to pairs of
|
||||||
|
Hardware Outputs.
|
||||||
|
|
||||||
|
The Direct routing configuration is the simplest most-generally-useful
|
||||||
|
configuration:
|
||||||
|
|
||||||
|

|
||||||
|
|
||||||
|
### Loopback
|
||||||
|
|
||||||
|
Scarlett 2nd Gen, Clarett USB, and Clarett+ interfaces have as many
|
||||||
|
PCM Inputs as Hardware Inputs. Scarlett 3rd Gen interfaces have two
|
||||||
|
more PCM Inputs which Focusrite Control uses as “Loopback” inputs.
|
||||||
|
|
||||||
|
The “Loopback” feature advertised for Scarlett 3rd Gen devices is
|
||||||
|
actually a limitation of the proprietary Focusrite Control software.
|
||||||
|
All supported devices with a mixer (that’s all but the 2nd and 3rd Gen
|
||||||
|
Solo/2i2 interfaces) support full reassignment of the PCM Inputs, so
|
||||||
|
you can have any PCM Input as a “Loopback” or assigned to any other
|
||||||
|
source.
|
||||||
|
|
||||||
|
### Talkback
|
||||||
|
|
||||||
|
The Scarlett 3rd Gen 18i20 talkback microphone is Analogue Input 9 and
|
||||||
|
can be routed like any other source. If you want to record using it,
|
||||||
|
there is no need for the loopback hack suggested by the manufacturer.
|
||||||
|
Just route it to a PCM Input.
|
||||||
|
|
||||||
|
## Mixer
|
||||||
|
|
||||||
|
If you use the Routing window to connect Sources to Mixer Inputs and
|
||||||
|
Mixer Outputs to Sinks, then you can use the Mixer window to set the
|
||||||
|
amount of each Mixer Input that is sent to each Mixer Output using a
|
||||||
|
matrix of controls:
|
||||||
|
|
||||||
|

|
||||||
|
|
||||||
|
Click and drag up/down on the gain controls to adjust, or use your
|
||||||
|
mouse scroll wheel. You can also double-click on the control to
|
||||||
|
quickly toggle between off and 0dB.
|
||||||
|
|
||||||
|
## Levels
|
||||||
|
|
||||||
|
The Levels window shows the current levels of the hardware outputs, the
|
||||||
|
mixer inputs, and the PCM inputs.
|
||||||
|
|
||||||
|

|
||||||
|
|
||||||
|
Look at this in conjunction with the routing window to understand
|
||||||
|
which meter corresponds to which source or sink.
|
||||||
|
|
||||||
|
## Startup
|
||||||
|
|
||||||
|
The Startup window is used to configure settings that are
|
||||||
|
applied/relevant when the interface is powered on.
|
||||||
|
|
||||||
|

|
||||||
|
|
||||||
|
### Standalone
|
||||||
|
|
||||||
|
When Standalone mode is enabled, the interface will continue to route
|
||||||
|
audio as per the previous routing and mixer settings after it has been
|
||||||
|
disconnected from a computer. By configuring the routing between the
|
||||||
|
hardware and mixer inputs and outputs appropriately, the interface can
|
||||||
|
act as a standalone preamp or mixer.
|
||||||
|
|
||||||
|
Standalone mode is supported on all devices supported by the kernel
|
||||||
|
driver. Even the Scarlett 3rd Gen 4i4 (which is bus-powered) will
|
||||||
|
operate in standalone mode.
|
||||||
|
|
||||||
|
### Phantom Power Persistence (Scarlett 3rd Gen only)
|
||||||
|
|
||||||
|
When Phantom Power Persistence is enabled, the interface will restore
|
||||||
|
the previous Phantom Power/48V setting when the interface is turned
|
||||||
|
on. For the safety of microphones which can be damaged by phantom
|
||||||
|
power, the interface defaults to having phantom power disabled when it
|
||||||
|
is turned on.
|
||||||
|
|
||||||
|
### Reset Configuration
|
||||||
|
|
||||||
|
This will reset the configuration of the interface to the factory
|
||||||
|
defaults (except for MSD mode which is left off).
|
||||||
|
|
||||||
|
### Update Firmware
|
||||||
|
|
||||||
|
If a firmware update is found in the `/usr/share/firmware/scarlett2`
|
||||||
|
directory, then an option to update the firmware will be available
|
||||||
|
here.
|
||||||
56
docs/iface-small.md
Normal file
@@ -0,0 +1,56 @@
|
|||||||
|
# ALSA Scarlett2 Control Panel
|
||||||
|
|
||||||
|
## Small Scarlett 3rd Gen Interfaces
|
||||||
|
|
||||||
|
The Scarlett 3rd Gen Solo and 2i2 interfaces have just a few buttons to control
|
||||||
|
the Air, Line, Phantom Power, and Direct Monitor settings. Mostly
|
||||||
|
nothing that you can’t access from the front panel anyway.
|
||||||
|
|
||||||
|

|
||||||
|
|
||||||
|
## Input Controls
|
||||||
|
|
||||||
|
### Air
|
||||||
|
|
||||||
|
Enabling Air will transform your recordings and inspire you while
|
||||||
|
making music.
|
||||||
|
|
||||||
|
### Inst
|
||||||
|
|
||||||
|
The Inst buttons are used to select between Mic/Line and Instrument
|
||||||
|
level/impedance. When plugging in microphones or line-level equipment
|
||||||
|
(such as a synthesizer, external preamp, or effects processor) to the
|
||||||
|
input, set it to “Line”. The “Inst” setting is for instruments with
|
||||||
|
pickups such as guitars.
|
||||||
|
|
||||||
|
### 48V (Phantom Power)
|
||||||
|
|
||||||
|
Turning the “48V” switch on sends “Phantom Power” to the XLR
|
||||||
|
microphone input(s). This is required for some microphones (such as
|
||||||
|
condensor microphones), and damaging to some microphones (particularly
|
||||||
|
vintage ribbon microphones).
|
||||||
|
|
||||||
|
## Output Controls
|
||||||
|
|
||||||
|
### Direct Monitor
|
||||||
|
|
||||||
|
Direct Monitor sends the analogue input signals to the analogue
|
||||||
|
outputs for zero-latency monitoring.
|
||||||
|
|
||||||
|
On the 2i2, you have the choice of Mono or Stereo monitoring when you
|
||||||
|
click the button. Mono sends both inputs to the left and right
|
||||||
|
outputs. Stereo sends input 1 to the left, and input 2 to the right
|
||||||
|
output.
|
||||||
|
|
||||||
|
## Startup Controls
|
||||||
|
|
||||||
|
#### Phantom Power Persistence
|
||||||
|
|
||||||
|
By default, phantom power is turned off when the interface is turned
|
||||||
|
on. This can be changed in the startup configuration (menu option View
|
||||||
|
→ Startup).
|
||||||
|
|
||||||
|
The one control not accessible from the front panel is “Phantom Power
|
||||||
|
Persistence” (menu option View → Startup) which controls the Phantom
|
||||||
|
Power state when the interface is powered on.
|
||||||
|
|
||||||
BIN
img/demo.gif
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img/scarlett-4th-gen-2i2-monitor.gif
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img/scarlett-4th-gen-2i2-routing.png
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|
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|
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|
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img/scarlett-4th-gen-solo-mix.gif
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img/scarlett-4th-gen-solo-monitor.gif
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|
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img/window-levels-3rd-gen.png
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|
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img/window-levels-4th-gen.gif
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